One of the most gifted directors of the post New Wave, Maurice Pialat is frequently compared to such legendary filmmakers as Jean Renoir and Robert Bresson. A quintessentially realist filmmaker, who, like Bresson, was also trained as a painter, Pialat's particular form of realism influenced an entire generation of young filmmakers in the nineties.
One of the most gifted directors of the post New Wave, Maurice Pialat is frequently compared to such legendary filmmakers as Jean Renoir and Robert Bresson. A quintessentially realist filmmaker, who, like Bresson, was also trained as a painter, Pialat's particular form of realism influenced an entire generation of young filmmakers in the nineties.
Marja Warehime is Associate Professor of French at the University of South Carolina.
Inhaltsangabe
1. Introduction: Maurice Pialat, the outsider 2. Pialat and La Nouvelle Vague 3. A family of works 4. Family portraits I: Nous ne vieillirons pas ensemble, La Gueule ouverte and Passe ton bac d'abord 5. Family portraits II: Loulou, A nos amours and Police 6. The saint and the artist: men apart 7. Conclusion: paternity and Le Garçu FILMOGRAPHY SELECT BIBLIOGRAPHY
1. Introduction: Maurice Pialat, the outsider 2. Pialat and La Nouvelle Vague 3. A family of works 4. Family portraits I: Nous ne vieillirons pas ensemble, La Gueule ouverte and Passe ton bac d'abord 5. Family portraits II: Loulou, A nos amours and Police 6. The saint and the artist: men apart 7. Conclusion: paternity and Le Garçu FILMOGRAPHY SELECT BIBLIOGRAPHY
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