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For over four decades, Martin Scorsese has been the chronicler of an obsessive society, where material possessions and physical comfort are valued, where the pursuit of individual improvement is rewarded and where male prerogative is respected and preserved. Scorsese has often described his films as sociology and he has a point: his storytelling condenses complex information into comprehensible narratives about society. In this sense, he has been a guide through a dark world of nineteenth century crypto-fascism to a fetishistic twentieth century in which goods, fame, money and power are held…mehr

Produktbeschreibung
For over four decades, Martin Scorsese has been the chronicler of an obsessive society, where material possessions and physical comfort are valued, where the pursuit of individual improvement is rewarded and where male prerogative is respected and preserved.
Scorsese has often described his films as sociology and he has a point: his storytelling condenses complex information into comprehensible narratives about society. In this sense, he has been a guide through a dark world of nineteenth century crypto-fascism to a fetishistic twentieth century in which goods, fame, money and power are held to have magical power.

Author of Tyson: Nurture of the Beast and Beckham , Ellis Cashmore turns his attention to arguably the most influential living film- maker to explore how Scorsese envisions America. Greed, manhood, the city and romantic love feature on Scorsese s landscape of secular materialism. They are among the themes Cashmore argues have driven and inform Scorsese s work. This is America, as seen through the eyes of Martin Scorsese and it is a deeply unpleasant place.

Cashmore s book discloses how, collectively, Scorsese s films present an image of America. It s an image assembled from the perspectives of obsessive people, whether burned-out paramedics, compulsive entrepreneurs, tortured lovers, or celebrity-fixated comedians. It s collected from pool halls, taxicabs, boxing rings and jazz clubs. It s an image that s specific, yet ubiquitous. It is Martin Scorsese s America .
Autorenporträt
Ellis Cashmore is Professor of Culture, Media and Sport at Staffordshire University's School of Health.
Rezensionen
"The author accessibly makes a case for the director as a key chronicler of (male) America." -- Total Film

"With this innovative study of his films, Ellis Cashmore has raised Martin Scorsese to the ranks of key chroniclers of American society. As Frank Capra was the voice of the Depression era and John Ford revealed America as shaped by World War II and its aftermath, Scorsese provides an on-going interpretation of the past forty years: rock and roll, Reaganism, civil rights, feminism, and the revision of the American dream. Cashmore tells us a great deal about both Scorsese and America." -- Richard A. Blake, Boston College

"Ellis Cashmore's Martin Scorsese's America probes the cinematic oeuvre of one of the world's major film directors, ferreting out his recurrent themes, obsessions, and visions of contemporary life in the United States. Capturing the variety and diversity of Scorsese's work, Cashmore provides an illuminating portrait of a major cineaste and makes the case that Scorsese should be seen as one of the great U.S. directors whose visions of American life are as incisive and insightful as many great literary artists." -- Douglas Kellner, UCLA