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Marsden Hartley (1877-1943) was proud to call himself an American artist, but he dreamed of travel to Europe. In 1912 he spent time in Paris, Berlin and Munich, and rise to prominence as a specifically American modernist was based largely on the visual ideas and influences that he encountered in these vibrant cities.

Produktbeschreibung
Marsden Hartley (1877-1943) was proud to call himself an American artist, but he dreamed of travel to Europe. In 1912 he spent time in Paris, Berlin and Munich, and rise to prominence as a specifically American modernist was based largely on the visual ideas and influences that he encountered in these vibrant cities.
Autorenporträt
Rick Kinsel is President of the Vilcek Foundation, where he oversees the curation, stewardship and exhibition of the foundation's art collections. These collections include significant and comprehensive holdings in American modernism, Native American pottery, pre-Columbian objects, and more. He previously served as the Cataloguer in charge of acquisitions at the Metropolitan Museum of Art in New York, and as Director of Cultural Affairs at Coty, Inc. He has advised on collections and curated exhibitions for both private and public organizations, among them the Philbrook Museum of Art in Tulsa, the Museum of Modern Art in New York, Pen + Brush, and the National Aeronautics and Space Administration (NASA). He holds a bachelor's degree from Ohio State University and a master's degree in the history of decorative arts from Bard Graduate Center, New York. In addition to his work in the visual arts, he has produced films and plays, edited a cookbook and judged design contests. He contributed to Ralston Crawford: Torn Signs, published by Merrell in 2019.