Reveals eighteenth-century German comedies' inherent resistance - through their depiction of alternative gender roles and sexual behavior - to the emerging discourse of the sentimental marriage.
Reveals eighteenth-century German comedies' inherent resistance - through their depiction of alternative gender roles and sexual behavior - to the emerging discourse of the sentimental marriage.
Introduction: Comedy, the Sentimental Marriage, and Modes of Resistance Promoting the Sentimental Marriage in Theory and in Practice The Virgin Huntress Tamed: J. C. Gottsched's Atalanta and the Erasure of Female Autonomy Marriage Brokering at the Expense of Economics: C. F. Gellert's Die zärtlichen Schwestern The Clothes Make the Man: J. E. Schlegel's Der Triumphder guten Frauen Cross-Dressing and Gender Performance in G. E. Lessing'sDer Misogyne Sickness Masks Desire in Th. J. Quistorp's Der Hypochondrist Conclusion Works Cited Index
Introduction: Comedy, the Sentimental Marriage, and Modes of Resistance Promoting the Sentimental Marriage in Theory and in Practice The Virgin Huntress Tamed: J. C. Gottsched's Atalanta and the Erasure of Female Autonomy Marriage Brokering at the Expense of Economics: C. F. Gellert's Die zärtlichen Schwestern The Clothes Make the Man: J. E. Schlegel's Der Triumphder guten Frauen Cross-Dressing and Gender Performance in G. E. Lessing'sDer Misogyne Sickness Masks Desire in Th. J. Quistorp's Der Hypochondrist Conclusion Works Cited Index
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