Malaysian Chinese (Mahua) literature is marginalized on several fronts. Cheow Thia Chan demonstrates that Mahua authorsâ grasp of their marginality in the world-Chinese literary space has been the impetus forâ rather than a barrier toâ aesthetic inventiveness.
Malaysian Chinese (Mahua) literature is marginalized on several fronts. Cheow Thia Chan demonstrates that Mahua authorsâ grasp of their marginality in the world-Chinese literary space has been the impetus forâ rather than a barrier toâ aesthetic inventiveness.
Cheow Thia Chan is assistant professor of Chinese studies at the National University of Singapore.
Inhaltsangabe
Acknowledgments A Note on Romanization, Characters, and Translation Introduction: Southern Crossings: The Covert Globality of Mahua Literature 1. Doubly Local: Lin Cantian and the Contrapuntal Genesis of Mahua Novelistic Fiction 2. Channeling Exemplarity: Han Suyin's Bifocal Writing Practice in Malaya 3. Cosmopolitan Visions of Drift: Wang Anyi and the Relay of Diasporic Literary Imagination 4. Off-Center Articulations: Li Yongping's Transregional Literary Production Coda: Always the Internal Other: Mahua Literature and the Recognition of Alterity Notes Bibliography Index
Acknowledgments A Note on Romanization, Characters, and Translation Introduction: Southern Crossings: The Covert Globality of Mahua Literature 1. Doubly Local: Lin Cantian and the Contrapuntal Genesis of Mahua Novelistic Fiction 2. Channeling Exemplarity: Han Suyin's Bifocal Writing Practice in Malaya 3. Cosmopolitan Visions of Drift: Wang Anyi and the Relay of Diasporic Literary Imagination 4. Off-Center Articulations: Li Yongping's Transregional Literary Production Coda: Always the Internal Other: Mahua Literature and the Recognition of Alterity Notes Bibliography Index
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