This practical, accessible and far-reaching guide to making site-specific theatre and performance emphasises the diversity of approaches to the practice, and explores key principles of space and site. Phil Smith draws on a wide range of interdisciplinary and international performance examples, and uses an innovative variety of exercises, to show students and aspiring performance-makers how to find a site and generate a performance beyond the theatre building.
This practical, accessible and far-reaching guide to making site-specific theatre and performance emphasises the diversity of approaches to the practice, and explores key principles of space and site. Phil Smith draws on a wide range of interdisciplinary and international performance examples, and uses an innovative variety of exercises, to show students and aspiring performance-makers how to find a site and generate a performance beyond the theatre building.
Phil Smith is Associate Professor (Reader) at Plymouth University, UK.
Inhaltsangabe
List of Illustrations Arriving: a fluid sort of prologue Part I: Finding a site 1.Why make Site Specific Performance? 2.Drifting and quest: in search of sites 3.Journey performances 4.What is a site? Part II: Generating Performance 5.Visiting your site 6.Site Aesthetics 7.Personae, presences, characters Part III: Shaping A Production 8.Dramaturgy 9. Scenographies and Enchanted Objects 10. Communities, Audiences and Immersion 11. Technology 12.Site Etiquette Bibliography
List of Illustrations Arriving: a fluid sort of prologue Part I: Finding a site 1.Why make Site Specific Performance? 2.Drifting and quest: in search of sites 3.Journey performances 4.What is a site? Part II: Generating Performance 5.Visiting your site 6.Site Aesthetics 7.Personae, presences, characters Part III: Shaping A Production 8.Dramaturgy 9. Scenographies and Enchanted Objects 10. Communities, Audiences and Immersion 11. Technology 12.Site Etiquette Bibliography
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