This volume brings together many aspects of the Tapestry: the practical skills involved in making the embroidery, aspects of its iconography, its first documented association with Bayeux in an inventory of 1476, its later copying and reproduction in different media and its role as a model for the production of stitched narrative friezes today.
This volume brings together many aspects of the Tapestry: the practical skills involved in making the embroidery, aspects of its iconography, its first documented association with Bayeux in an inventory of 1476, its later copying and reproduction in different media and its role as a model for the production of stitched narrative friezes today.
Anna Henderson is a PhD student at the University of Manchester and was formerly Editor of the Exeter Medieval Texts and Studies series Gale R. Owen-Crocker is Professor Emerita, formerly Professor of Anglo-Saxon Culture, and Director of the Manchester Centre for Anglo-Saxon Studies at the University of Manchester
Inhaltsangabe
Introduction: Making sense of the Bayeux Tapestry Anna C. Henderson PART I: Readings: deciphering the visual evidence Introduction 1. The front tells the story, the back tells the history: a technical discussion of the embroidering of the Bayeux Tapestry Alexandra Lester Makin 2. Colour and imagination in the Bayeux Tapestry Gale R. Owen Crocker 3. Figuring out nakedness in the borders of the Bayeux Tapestry Christopher J. Monk 4. Ecclesiastics in the Bayeux Tapestry Michael J. Lewis 5. Locating Hastings in 1066: the evidence from the Tapestry Maggie Kneen PART II: Reworkings: the Bayeux Tapestry's afterlife Introduction 6. Item, une tente très longue: the inventory of Bayeux Cathedral and its implications for that textile Elizabeth Carson Pastan 7. A facsimile for everybody: from Foucault to Foys and beyond Shirley Ann Brown 8. Through Victorian eyes: re assessing Elizabeth Wardle's replica Anna C. Henderson 9. Relating history in needlework in the manner of the Bayeux Tapestry: the embroideries of Normandy Sylvette Lemagnen Afterword Gale R. Owen Crocker Index
Introduction: Making sense of the Bayeux Tapestry Anna C. Henderson PART I: Readings: deciphering the visual evidence Introduction 1. The front tells the story, the back tells the history: a technical discussion of the embroidering of the Bayeux Tapestry Alexandra Lester Makin 2. Colour and imagination in the Bayeux Tapestry Gale R. Owen Crocker 3. Figuring out nakedness in the borders of the Bayeux Tapestry Christopher J. Monk 4. Ecclesiastics in the Bayeux Tapestry Michael J. Lewis 5. Locating Hastings in 1066: the evidence from the Tapestry Maggie Kneen PART II: Reworkings: the Bayeux Tapestry's afterlife Introduction 6. Item, une tente très longue: the inventory of Bayeux Cathedral and its implications for that textile Elizabeth Carson Pastan 7. A facsimile for everybody: from Foucault to Foys and beyond Shirley Ann Brown 8. Through Victorian eyes: re assessing Elizabeth Wardle's replica Anna C. Henderson 9. Relating history in needlework in the manner of the Bayeux Tapestry: the embroideries of Normandy Sylvette Lemagnen Afterword Gale R. Owen Crocker Index
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Shop der buecher.de GmbH & Co. KG Bürgermeister-Wegele-Str. 12, 86167 Augsburg Amtsgericht Augsburg HRA 13309
