This book examines the making of heritage in contemporary Japan, investigating the ways in which particular objects, practices and institutions come to be seen as forms of heritage which are ascribed public recognition and political significance.
This book examines the making of heritage in contemporary Japan, investigating the ways in which particular objects, practices and institutions come to be seen as forms of heritage which are ascribed public recognition and political significance.
Rupert Cox: (important publications) 'Is there a Japanese Way of Playing" in Japan at Play: The ludic and logic of power eds Hendry and Ravieri (Routledge 2001) The Zen-Arts: An Anthropological Study of the Culture of Aesthetic Form in Japan (ROutledge, 2003) "Wagamama technology - An uncanny history of Japanese robot technology" in Japan as a model of Asian modernisation eds Raud Japan and the Cultures of Copying: Historical and anthropological approaches (Routledge) Christoph Brumann: (select list) Whose Kyoto? Machizukuri, Local Autonomy and Patonashippu in an Old City. In: Carola Hein & Philippe Pelletier (ed.) Cities, Autonomy, and Decentralization. London: Routledge. Writing for Culture: Why a Successful Concept Should Not Be Discarded. In: Robert L. Welsch & Kirk M. Endicott (eds.), Taking Sides: Clashing Views in Cultural Anthropology. (Second ed.) New York: McGraw-Hill (Reprint of 1999 Current Anthropology article). Copying Kyoto: The Legitimacy of Imitation in Kyoto's Townscape Debates. In: Rupert Cox (ed.) Japan and the Culture of Copying. London: RoutledgeCurzon. Stamm - Volk - Ethnizitat - Kultur: Die aktuelle Diskussion [Tribe - People - Ethnicity - Culture: The Current Debate]. In: Sabine Rieckhoff & Ulrike Sommer (eds.) Auf der Suche nach Identitaten: Volk - Stamm - Kultur - Ethnos. Internationale Tagung 8.-9.12.2000, Leipzig [In Pursuit of Identities: People- Tribe - Culture - Ethnos]. (British Archaeological Reports, International Series.) Oxford. Writing for Culture: Why a Successful Concept Should Not Be Discarded. Pp. 43-77 in: Adam Muller (ed.), Concepts of Culture: Arts, Politics, and Society, Calgary: University of Calgary Press (Reprint of 1999 Current Anthropology article). Kyotos Dilemma: Das Stadtbild als commons [Kyoto's Dilemma: The Townscape as Commons]. In: Werner Pascha & Cornelia Storz (eds.) Wirkung und Wandel von Institutionen: Das Beispiel Ostasien [Institutional Effects and Institutional Change: The Case of East Asia], pp. 133-168. Stuttgart: Lucius & Lucius. Der urbane Raum als offentliches Gut: Kyoto und die Stadtbildkonflikte [Urban Space as a Public Good: Kyoto and the Townscape Conflicts]. Zeitschrift fur Ethnologie 129:183-210. Intentional Communities in Japan. In: Karen Christensen & David Levinson (eds.) Encyclopedia of Community, vol. 2, pp. 739-743. Thousand Oaks, Ca.: Sage. "All the Flesh Kindred That Ever I See": A Reconsideration of Family and Kinship in Utopian Communes. Comparative Studies in Society and History 45:395-421.
Inhaltsangabe
Introduction Part 1: Performing Japaneseness through Heritage 1. Making 'Japanese' Tea 2. Before Making Heritage: Internationalisation of Geisha in the Meiji Period 3. Making Art in the Japanese Way: Nihonga as Process and Symbolic Action Part 2: Institutionalising Japanese Heritage 4. Architecture, Folklore Studies, and Cultural Democracy: Nagakura Saburô and Hida Minzoku-mura 5. Nô Masks on Stage and in Museums: Approaches to the Contextualisation and Conservation of the Pitt Rivers Museum Nô Mask Collection 6. Company Culture or Patinated Past? The Display of Corporate Heritage in Sumitomo Part 3: Japanese Local Heritage and the Wider World 7. A Heady Heritage: The Shifting Biography of Kashira (Puppet Heads) as Cultural Heritage Objects in the Awaji Tradition 8. The Case of the Sash: A Search for Context in Okinawa 9. Houses in Motion: The Revitalization of Kyoto's Architectural Heritage 10. Automated Alterities: Movement and Identity in the History of the Japanese Kobi Ningyô Part 4: Perpetuating Japanese Heritage 11. Maintaining a Zen Tradition in Japan: The Concrete Problem of Priest Succession 12. Debating the Past to Determine the Future in Shinkyo, a Japanese Commune
Introduction Part 1: Performing Japaneseness through Heritage 1. Making 'Japanese' Tea 2. Before Making Heritage: Internationalisation of Geisha in the Meiji Period 3. Making Art in the Japanese Way: Nihonga as Process and Symbolic Action Part 2: Institutionalising Japanese Heritage 4. Architecture, Folklore Studies, and Cultural Democracy: Nagakura Saburô and Hida Minzoku-mura 5. Nô Masks on Stage and in Museums: Approaches to the Contextualisation and Conservation of the Pitt Rivers Museum Nô Mask Collection 6. Company Culture or Patinated Past? The Display of Corporate Heritage in Sumitomo Part 3: Japanese Local Heritage and the Wider World 7. A Heady Heritage: The Shifting Biography of Kashira (Puppet Heads) as Cultural Heritage Objects in the Awaji Tradition 8. The Case of the Sash: A Search for Context in Okinawa 9. Houses in Motion: The Revitalization of Kyoto's Architectural Heritage 10. Automated Alterities: Movement and Identity in the History of the Japanese Kobi Ningyô Part 4: Perpetuating Japanese Heritage 11. Maintaining a Zen Tradition in Japan: The Concrete Problem of Priest Succession 12. Debating the Past to Determine the Future in Shinkyo, a Japanese Commune
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