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A nuts-and-bolts guide to the craft of visual storytelling, written for students and up-and-coming journalists by one of the country's best-loved news correspondents.
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A nuts-and-bolts guide to the craft of visual storytelling, written for students and up-and-coming journalists by one of the country's best-loved news correspondents.
Produktdetails
- Produktdetails
- Verlag: Rowman & Littlefield Publishers
- Second Edition
- Seitenzahl: 158
- Erscheinungstermin: 28. September 2015
- Englisch
- Abmessung: 235mm x 157mm x 13mm
- Gewicht: 391g
- ISBN-13: 9781442256101
- ISBN-10: 1442256109
- Artikelnr.: 43043661
- Verlag: Rowman & Littlefield Publishers
- Second Edition
- Seitenzahl: 158
- Erscheinungstermin: 28. September 2015
- Englisch
- Abmessung: 235mm x 157mm x 13mm
- Gewicht: 391g
- ISBN-13: 9781442256101
- ISBN-10: 1442256109
- Artikelnr.: 43043661
By Bob Dotson
Chapter 1: How to Become a Storyteller Reporting vs. Storytelling The Rule of Threes and Filling the Silence The Question That is Not a Question Script #1: Lives Lost The Most Important Thing You Should Do Before an Interview The Best Thing You Can Do After an Interview How to Quickly Write a Good Opening Line Chapter 2: The Game of What If? Hey. You. See. So. Script #2: Pops Dream Surprises Script #3: Farm to Fame Humor Structuring a Visual Story Planning Notes for YouTube Star Segment What Went on the Cutting Room Floor Script #4: YouTube Star Chapter 3: Getting Started Look for Different Ways to Tell Your Story Script #5: Found Art Find a Strong Central Character Script #6: Park Avenue Peeler Find Interesting Stories and People to Interview, Even When Time and Money are Tight Script #7: Living Ghost Town Chapter 4: I
m Sorry This Story Is So Long. I Didn
t Have Time to Write a Short One. Pictures Come First Write the Middle of Your Story Next Ask Yourself,
What Does This Mean?
Don
t Throw Away Thoughts Script #8: Cave Rescue Highlight a Story
s Natural Drama Working Fast Script #9: Ruby Bridges Scene Setting Foreshadowing Conflict Character Growth Resolution Put Stories into Context Chapter 5: The Building Blocks of a Story Words Video Silence Natural Sound Sound Bites Reporter On-Camera Stand-Up Graphics Script #10: Pearl Harbor
s Untold Story Editing Stories Chapter 6: A Survival Kit for Professional Storytellers in the Social Media Age The
So What
Test
One Thing is Certain . . .
You Are Not the Story It
s Video Folks, Not the Movies Be Conversational Gobbledygook and Clichés Active Voice Write in Threes How to End a Story Car Wars A Final Thought Appendix: Reporter
s Checklist Glossary of Script Cues Acknowledgments Index About the Author
m Sorry This Story Is So Long. I Didn
t Have Time to Write a Short One. Pictures Come First Write the Middle of Your Story Next Ask Yourself,
What Does This Mean?
Don
t Throw Away Thoughts Script #8: Cave Rescue Highlight a Story
s Natural Drama Working Fast Script #9: Ruby Bridges Scene Setting Foreshadowing Conflict Character Growth Resolution Put Stories into Context Chapter 5: The Building Blocks of a Story Words Video Silence Natural Sound Sound Bites Reporter On-Camera Stand-Up Graphics Script #10: Pearl Harbor
s Untold Story Editing Stories Chapter 6: A Survival Kit for Professional Storytellers in the Social Media Age The
So What
Test
One Thing is Certain . . .
You Are Not the Story It
s Video Folks, Not the Movies Be Conversational Gobbledygook and Clichés Active Voice Write in Threes How to End a Story Car Wars A Final Thought Appendix: Reporter
s Checklist Glossary of Script Cues Acknowledgments Index About the Author
Chapter 1: How to Become a Storyteller Reporting vs. Storytelling The Rule of Threes and Filling the Silence The Question That is Not a Question Script #1: Lives Lost The Most Important Thing You Should Do Before an Interview The Best Thing You Can Do After an Interview How to Quickly Write a Good Opening Line Chapter 2: The Game of What If? Hey. You. See. So. Script #2: Pops Dream Surprises Script #3: Farm to Fame Humor Structuring a Visual Story Planning Notes for YouTube Star Segment What Went on the Cutting Room Floor Script #4: YouTube Star Chapter 3: Getting Started Look for Different Ways to Tell Your Story Script #5: Found Art Find a Strong Central Character Script #6: Park Avenue Peeler Find Interesting Stories and People to Interview, Even When Time and Money are Tight Script #7: Living Ghost Town Chapter 4: I
m Sorry This Story Is So Long. I Didn
t Have Time to Write a Short One. Pictures Come First Write the Middle of Your Story Next Ask Yourself,
What Does This Mean?
Don
t Throw Away Thoughts Script #8: Cave Rescue Highlight a Story
s Natural Drama Working Fast Script #9: Ruby Bridges Scene Setting Foreshadowing Conflict Character Growth Resolution Put Stories into Context Chapter 5: The Building Blocks of a Story Words Video Silence Natural Sound Sound Bites Reporter On-Camera Stand-Up Graphics Script #10: Pearl Harbor
s Untold Story Editing Stories Chapter 6: A Survival Kit for Professional Storytellers in the Social Media Age The
So What
Test
One Thing is Certain . . .
You Are Not the Story It
s Video Folks, Not the Movies Be Conversational Gobbledygook and Clichés Active Voice Write in Threes How to End a Story Car Wars A Final Thought Appendix: Reporter
s Checklist Glossary of Script Cues Acknowledgments Index About the Author
m Sorry This Story Is So Long. I Didn
t Have Time to Write a Short One. Pictures Come First Write the Middle of Your Story Next Ask Yourself,
What Does This Mean?
Don
t Throw Away Thoughts Script #8: Cave Rescue Highlight a Story
s Natural Drama Working Fast Script #9: Ruby Bridges Scene Setting Foreshadowing Conflict Character Growth Resolution Put Stories into Context Chapter 5: The Building Blocks of a Story Words Video Silence Natural Sound Sound Bites Reporter On-Camera Stand-Up Graphics Script #10: Pearl Harbor
s Untold Story Editing Stories Chapter 6: A Survival Kit for Professional Storytellers in the Social Media Age The
So What
Test
One Thing is Certain . . .
You Are Not the Story It
s Video Folks, Not the Movies Be Conversational Gobbledygook and Clichés Active Voice Write in Threes How to End a Story Car Wars A Final Thought Appendix: Reporter
s Checklist Glossary of Script Cues Acknowledgments Index About the Author