Made in Scotland: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, politics, culture and musicology of twentieth and twenty-first century popular music in Scotland.
Made in Scotland: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, politics, culture and musicology of twentieth and twenty-first century popular music in Scotland.
Simon Frith is Emeritus Professor of Music at the University of Edinburgh, UK. Martin Cloonan is the Director of the Turku Institute for Advanced Studies (TIAS) at the University of Turku, Finland. He is also coordinating editor of Popular Music and sometimes sings in public. John Williamson is a lecturer in Music at the School of Culture and Creative Arts, University of Glasgow, UK.
Inhaltsangabe
Foreword Selected Timeline of Key Events Introduction Simon Frith, Martin Cloonan, John Williamson PART I: Histories John Williamson 1. Stramash! When Pop Music Television Comes to Scotland John Williamson 2. Doing It for Themselves: A Brief History of Scottish Independent Record Labels Bob Anderson 3. Scottish Live Music History: The Conflict Between Culture and Economics Kenny Forbes 4. Fascinating Rhythm - The Life of Scottish Jazz Alistair Braidwood 5. Place of Light Carla J. Easton 6. Riverside Festival, Glasgow: An Interview with Dave Clarke and Martin McKechnie John Williamson 7. Performing in Gaelic: A Conversation with Joy Dunlop John Williamson PART II: Politics and Policies Martin Cloonan 8. "Let There Be Rock" - How A Remote Scottish Village Reinvented Its Musical Heritage Emil Thompson 9. Interview with Jill Rodger, Director, Glasgow Jazz Festival Martin Cloonan 10. The Place of Popular Music Education in Scotland - Institutions, Access, and Responsibilities Sean McLaughlin and Graeme Smillie 11. Jock Rock?: Putting Scotland into Scottish Popular Music Martin Cloonan 12. Hip-Hop in Scotland: A Footnote in the History of Popular Music? Dave Hook 13. "Indy" Music: Scottish Popular Music and the Constitutional Question' Adam Behr PART III: Futures and Imaginings Simon Frith 14. The Fiction of Scottish Music Simon Frith 15. An Interview with Alasdair Roberts on Being a Scottish Songwriter Martin Cloonan 16. Re-thinking 'Scottishness' - Who, and What, Sounds Scottish? Diljeet Kaur Bhachu Coda: The World of Scottish Music Simon Frith Afterword: Music in a Future Scotland Notes on Contributors Index
Foreword Selected Timeline of Key Events Introduction Simon Frith, Martin Cloonan, John Williamson PART I: Histories John Williamson 1. Stramash! When Pop Music Television Comes to Scotland John Williamson 2. Doing It for Themselves: A Brief History of Scottish Independent Record Labels Bob Anderson 3. Scottish Live Music History: The Conflict Between Culture and Economics Kenny Forbes 4. Fascinating Rhythm - The Life of Scottish Jazz Alistair Braidwood 5. Place of Light Carla J. Easton 6. Riverside Festival, Glasgow: An Interview with Dave Clarke and Martin McKechnie John Williamson 7. Performing in Gaelic: A Conversation with Joy Dunlop John Williamson PART II: Politics and Policies Martin Cloonan 8. "Let There Be Rock" - How A Remote Scottish Village Reinvented Its Musical Heritage Emil Thompson 9. Interview with Jill Rodger, Director, Glasgow Jazz Festival Martin Cloonan 10. The Place of Popular Music Education in Scotland - Institutions, Access, and Responsibilities Sean McLaughlin and Graeme Smillie 11. Jock Rock?: Putting Scotland into Scottish Popular Music Martin Cloonan 12. Hip-Hop in Scotland: A Footnote in the History of Popular Music? Dave Hook 13. "Indy" Music: Scottish Popular Music and the Constitutional Question' Adam Behr PART III: Futures and Imaginings Simon Frith 14. The Fiction of Scottish Music Simon Frith 15. An Interview with Alasdair Roberts on Being a Scottish Songwriter Martin Cloonan 16. Re-thinking 'Scottishness' - Who, and What, Sounds Scottish? Diljeet Kaur Bhachu Coda: The World of Scottish Music Simon Frith Afterword: Music in a Future Scotland Notes on Contributors Index
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