Looks at Mexican national identity through the lens of visual culture, analyzing how leading Mexican image-makers operated within the constraints, venues, historical contexts, and transnational influences that mediated their work.
Looks at Mexican national identity through the lens of visual culture, analyzing how leading Mexican image-makers operated within the constraints, venues, historical contexts, and transnational influences that mediated their work.
John Mraz is a Research Professor with the Instituto de Ciencias Sociales y Humanidades at Benemerita Universidad Autonoma de Puebla, Mexico. He is the author of Nacho Lopez, Mexican Photographer and La Mirada Inquieta: Nuevo fotoperiodismo mexicano, 1976–1996 and a co-author of Uprooted: Braceros in the Hermanos Mayo Lens.
Inhaltsangabe
Author's Note ix Acknowledgments xi Introduction 1 1. War, Portraits, Mexican Types, and Porfirian Progress (1847-1910) 13 2. Revolution and Culture (1910-1940) 59 3. Cinema and Celebrities in the Golden Age 107 4. Illustrated Magazines, Presente, Photojournalism, and Historia gráfica (1940-1968) 153 5. New Visual Cultures and the Old Battle to Picture the Past and Present (1968-2007) 201 Notes 251 Bibliography 309 Index 333
Author's Note ix Acknowledgments xi Introduction 1 1. War, Portraits, Mexican Types, and Porfirian Progress (1847-1910) 13 2. Revolution and Culture (1910-1940) 59 3. Cinema and Celebrities in the Golden Age 107 4. Illustrated Magazines, Presente, Photojournalism, and Historia gráfica (1940-1968) 153 5. New Visual Cultures and the Old Battle to Picture the Past and Present (1968-2007) 201 Notes 251 Bibliography 309 Index 333
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