Susan Jones spent fifteen years as a soloist with the Scottish Ballet, Glasgow before becoming an academic. She now teaches English at Oxford, and has written on Joseph Conrad, modernism, and dance history and aesthetics
Inhaltsangabe
* Introduction * A Poetics of Potentiality: Mallarmé, Fuller, Yeats, Humphrey, and Graham * Nietzsche, Modernism, and Dance: Dionysian or Apollonian? * From Dance to Movement: Eurhythmics, Expressionism, Language, and Literature * Diaghilev and British Writing * Two Modern Classics: The Rite of Spring and Les Noces * The 'unheard rhythms' of Virginia Woolf * 'Savage and superb': Primitivism in Text and Dance * Massine, Modernisms, and the Integrated Arts * Ezra Pound on Kinaesthetics, the Russian Ballet, and Machines * 'At the still point': T. S. Eliot, Dance, and a Transatlantic Poetics * Rambert and Dramatic Dance * Samuel Beckett and Choreography * Afterword * Bibliography
* Introduction * A Poetics of Potentiality: Mallarmé, Fuller, Yeats, Humphrey, and Graham * Nietzsche, Modernism, and Dance: Dionysian or Apollonian? * From Dance to Movement: Eurhythmics, Expressionism, Language, and Literature * Diaghilev and British Writing * Two Modern Classics: The Rite of Spring and Les Noces * The 'unheard rhythms' of Virginia Woolf * 'Savage and superb': Primitivism in Text and Dance * Massine, Modernisms, and the Integrated Arts * Ezra Pound on Kinaesthetics, the Russian Ballet, and Machines * 'At the still point': T. S. Eliot, Dance, and a Transatlantic Poetics * Rambert and Dramatic Dance * Samuel Beckett and Choreography * Afterword * Bibliography
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