This book examines how ideas about crime and judicial procedure that had developed in a domestic context influenced the representation and understanding of war crimes trials, victims of war crimes, and war criminals in post-WW II Britain. The depiction of Belsen concentration camp and the subsequent British-run trial are a focal point.
This book examines how ideas about crime and judicial procedure that had developed in a domestic context influenced the representation and understanding of war crimes trials, victims of war crimes, and war criminals in post-WW II Britain. The depiction of Belsen concentration camp and the subsequent British-run trial are a focal point.
Victoria Stewart is Honorary Visiting Fellow at the School of Arts, University of Leicester, UK. She has published widely on war writing and crime writing.
Inhaltsangabe
Acknowledgements Introduction 1: Publishing and Publicising the Belsen Trial 2: Constructing Criminality in the Work of Derrick Sington 3: Memoir, Biography, and Justice 4: Holocaust Survivors and Refugees in 1940s Detective Fiction Conclusion Bibliography
Acknowledgements Introduction 1: Publishing and Publicising the Belsen Trial 2: Constructing Criminality in the Work of Derrick Sington 3: Memoir, Biography, and Justice 4: Holocaust Survivors and Refugees in 1940s Detective Fiction Conclusion Bibliography
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