This is a major re-evaluation of the role and cultural significance of Gothic horror. It offers analysis of literary, film, art and popular cultural texts and critical explanations of key terms (horror, uncanny etc.) to interrogate the contemporary and historical significance of monsters, vampires and ghosts in technological and consumer culture. -- .
This is a major re-evaluation of the role and cultural significance of Gothic horror. It offers analysis of literary, film, art and popular cultural texts and critical explanations of key terms (horror, uncanny etc.) to interrogate the contemporary and historical significance of monsters, vampires and ghosts in technological and consumer culture. -- .
Fred Botting is Professor in the Institute for Cultural Research, Lancaster University
Inhaltsangabe
Acknowledgements Introduction:Horror now and then 1. Daddy's dead 1.1 Gun of the father 1.2 Beyond the paternal principle 1.3 Gothic times 1.4 Candygothic 2. Tech noir 2.1 Doom with a view 2.2 Gothic shocks 2.3 Reading machines 2.4 Phantasmagoria 2.5 The small scream 3. Dark bodies 3.1 An-aesthetics 3.2 Horreality 3.3 Black holes 4. Beyond the Gothic principle 4.1 A child's game 4.2 Go-o-o-othic 4.3 Dark precursor 4.4 To infinity and beyond References Index
Acknowledgements Introduction:Horror now and then 1. Daddy's dead 1.1 Gun of the father 1.2 Beyond the paternal principle 1.3 Gothic times 1.4 Candygothic 2. Tech noir 2.1 Doom with a view 2.2 Gothic shocks 2.3 Reading machines 2.4 Phantasmagoria 2.5 The small scream 3. Dark bodies 3.1 An-aesthetics 3.2 Horreality 3.3 Black holes 4. Beyond the Gothic principle 4.1 A child's game 4.2 Go-o-o-othic 4.3 Dark precursor 4.4 To infinity and beyond References Index
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