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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Max Jacob was born a Jew, in Quimper, Brittany in 1876. He made his home in Paris and was deeply involved in the literary, artistic and cultural revolution of his time. He is one of the most important and influential French writers and poets of the century and a great master of the prose poem, notably in Le Cornet a dès, 1917. Among his closest friends and colleagues in the early years were Picasso and Apollinaire. His published works also include novels and essays and many posthumous volumes of correspondence. In the later part of his life Jacob retired to the monastery at Saint-Benoît-sur-Loire: he had converted lo Catholicism in 1915. He died, wearing the yellow star, at Drancy concentration camp, in 1944, but he retained his faith to the end, his last words being 'Je suis avec Dieu'.
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