At the intersection of law, literature and history this book interrogates how a dominant contemporary idea of law emerged out of specific ideas of reading in the nineteenth century.
At the intersection of law, literature and history this book interrogates how a dominant contemporary idea of law emerged out of specific ideas of reading in the nineteenth century.
Suneel Mehmi is an independent, early career researcher.
Inhaltsangabe
Introduction 1. Representation of photography, literalist reading and 'the absence of higher truths' in art 2. Photography's 'fatal resemblances': reading the invisibility of individuality and truth in the work of Wilkie Collins 3. Representation and reading against photographic details in the work of Henry James 4. Photograph albums in fiction: the illegitimate plots and counter-narratives of the photograph-book Conclusion
Introduction 1. Representation of photography, literalist reading and 'the absence of higher truths' in art 2. Photography's 'fatal resemblances': reading the invisibility of individuality and truth in the work of Wilkie Collins 3. Representation and reading against photographic details in the work of Henry James 4. Photograph albums in fiction: the illegitimate plots and counter-narratives of the photograph-book Conclusion
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