Focusing largely on art in the context of the copyright regime, but also addressing a number of cultural heritage issues, it is the productive and creative potential of law itself that is elicited through the book's approach to the commons as the empirical basis for a new legal framework.
Focusing largely on art in the context of the copyright regime, but also addressing a number of cultural heritage issues, it is the productive and creative potential of law itself that is elicited through the book's approach to the commons as the empirical basis for a new legal framework.
Merima Bruncevic is Senior Lecturer and Research Fellow based in the Department of Law, Gothenburg University.
Inhaltsangabe
Volume I: (Re)Imaginations Part 1: Law Chapter 1: Enter: From Landscape to Lawscape Chapter 2: Rhizomatic Jurisprudence: Terra Firma and Terra incognita Part 2: Art Chapter 3: Artwork: From object to hyperobject Chapter 4: Case studies: The Contested Spaces INTERMEZZO Volume II: (Re)Constructions Part 3: Commons Chapter 5: Commons: Being(s)-in-Common Chapter 6: Intellectual Property Law: Commons and Schizophrenic Capitalism Part 4: Legal Commons Chapter 7: Ownership: Possessed Chapter 8: Exit: Atmosphere
Volume I: (Re)Imaginations Part 1: Law Chapter 1: Enter: From Landscape to Lawscape Chapter 2: Rhizomatic Jurisprudence: Terra Firma and Terra incognita Part 2: Art Chapter 3: Artwork: From object to hyperobject Chapter 4: Case studies: The Contested Spaces INTERMEZZO Volume II: (Re)Constructions Part 3: Commons Chapter 5: Commons: Being(s)-in-Common Chapter 6: Intellectual Property Law: Commons and Schizophrenic Capitalism Part 4: Legal Commons Chapter 7: Ownership: Possessed Chapter 8: Exit: Atmosphere
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