Fusing narrative and analysis, this book examines how theater can enact critical discourse analysis and how micro-instances of iniquitous language use have been politically and historically reiterated to oppress and deny equal rights to marginalized groups of people.
Fusing narrative and analysis, this book examines how theater can enact critical discourse analysis and how micro-instances of iniquitous language use have been politically and historically reiterated to oppress and deny equal rights to marginalized groups of people.
Fiona (Freddie) Harris Ramsby is an Associate Professor of Rhetoric and Writing at Bloomfield College in New Jersey. She is also the Artistic Producer at The Company @ Bloomfield College, a collaborative student, staff, and faculty theatre initiative dedicated to promoting and producing new works and emerging artists.
Inhaltsangabe
1 Performing Rhetorical Theory 1 2 And My Life Blood Out They Suck : Embodying Logos in Clouds 20 3 I I I Is for Ideology: Staging Metaphor in Torch Song and Angels in America 50 4 Acts of Silence and Silences Acts in Amiri Barakäs Slave Ship and Suzan-Lori Parks Venus 77 5 Blonde Wigs and Butterflies: Queering the Intertextual Binaries in M. Butterfly and Hedwig and the Angry Inch 107 6 Rhetoric, Performance, and Pedagogy 136
1 Performing Rhetorical Theory 1 2 And My Life Blood Out They Suck : Embodying Logos in Clouds 20 3 I I I Is for Ideology: Staging Metaphor in Torch Song and Angels in America 50 4 Acts of Silence and Silences Acts in Amiri Barakäs Slave Ship and Suzan-Lori Parks Venus 77 5 Blonde Wigs and Butterflies: Queering the Intertextual Binaries in M. Butterfly and Hedwig and the Angry Inch 107 6 Rhetoric, Performance, and Pedagogy 136
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