Andrew Hemingway
Landscape Between Ideology and the Aesthetic
Marxist Essays on British Art and Art Theory, 1750-1850
Andrew Hemingway
Landscape Between Ideology and the Aesthetic
Marxist Essays on British Art and Art Theory, 1750-1850
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An extraordinary collection of pieces from the three plus decade career of one of Britain’s most important Marxist art-historians.
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An extraordinary collection of pieces from the three plus decade career of one of Britain’s most important Marxist art-historians.
Produktdetails
- Produktdetails
- Verlag: Haymarket Books
- Seitenzahl: 520
- Erscheinungstermin: 26. Dezember 2017
- Englisch
- Abmessung: 224mm x 152mm x 30mm
- Gewicht: 703g
- ISBN-13: 9781608468317
- ISBN-10: 1608468313
- Artikelnr.: 47744749
- Verlag: Haymarket Books
- Seitenzahl: 520
- Erscheinungstermin: 26. Dezember 2017
- Englisch
- Abmessung: 224mm x 152mm x 30mm
- Gewicht: 703g
- ISBN-13: 9781608468317
- ISBN-10: 1608468313
- Artikelnr.: 47744749
Andrew Hemingway is Emeritus Professor in History of Art at University College London. His books include Landscape Imagery and Urban Culture in Early Nineteenth-Century Britain (Cambridge University Press, 1992) and The Mysticism of Money: Precisionist Painting and Machine Age America (Periscope Publishing, 2013).
List of Illustrations ... vii
Acknowledgements ... xi
Sources and Occasions ... xii
Introduction: Theoretical Apologia ... 1
Aesthetics and Ideology
1 The Science of Taste in the Eighteenth Century: Philosophical Criticism
and the Scottish Historical School ... 41
2 Academic Theory versus Association Aesthetics: The Ideological Forms of a
Conflict of Interests in the Early Nineteenth Century ... 86
3 Bourgeois Critiques of the Monopoly of Taste ... 114
4 Genius, Gender, and Progress: Benthamism and the Arts in the 1820s ...
150
5 Cultural Philanthropy and the Invention of the Norwich School ... 181
Landscape and Ideology
6 Meaning in Cotman's Norfolk Subjects ... 217
7 Sheep as a Pictorial Motif: Pastoral and Counter-Pastoral ... 246
8 Artisanal Worldview in the Paintings of John Crome ... 297
9 John Crome's 'Local Scenery': Iconography and the Ideology of the
Picturesque ... 336
10 Constable and his Audience: An Argument for Iconography ... 387
11 The Field of Waterloo Exposed: Turner, Byron, and the Politics of
Reaction ... 420
Coda: Regarding Art History ... 459
Bibliography ... 464
Index ... 492
Acknowledgements ... xi
Sources and Occasions ... xii
Introduction: Theoretical Apologia ... 1
Aesthetics and Ideology
1 The Science of Taste in the Eighteenth Century: Philosophical Criticism
and the Scottish Historical School ... 41
2 Academic Theory versus Association Aesthetics: The Ideological Forms of a
Conflict of Interests in the Early Nineteenth Century ... 86
3 Bourgeois Critiques of the Monopoly of Taste ... 114
4 Genius, Gender, and Progress: Benthamism and the Arts in the 1820s ...
150
5 Cultural Philanthropy and the Invention of the Norwich School ... 181
Landscape and Ideology
6 Meaning in Cotman's Norfolk Subjects ... 217
7 Sheep as a Pictorial Motif: Pastoral and Counter-Pastoral ... 246
8 Artisanal Worldview in the Paintings of John Crome ... 297
9 John Crome's 'Local Scenery': Iconography and the Ideology of the
Picturesque ... 336
10 Constable and his Audience: An Argument for Iconography ... 387
11 The Field of Waterloo Exposed: Turner, Byron, and the Politics of
Reaction ... 420
Coda: Regarding Art History ... 459
Bibliography ... 464
Index ... 492
List of Illustrations ... vii
Acknowledgements ... xi
Sources and Occasions ... xii
Introduction: Theoretical Apologia ... 1
Aesthetics and Ideology
1 The Science of Taste in the Eighteenth Century: Philosophical Criticism
and the Scottish Historical School ... 41
2 Academic Theory versus Association Aesthetics: The Ideological Forms of a
Conflict of Interests in the Early Nineteenth Century ... 86
3 Bourgeois Critiques of the Monopoly of Taste ... 114
4 Genius, Gender, and Progress: Benthamism and the Arts in the 1820s ...
150
5 Cultural Philanthropy and the Invention of the Norwich School ... 181
Landscape and Ideology
6 Meaning in Cotman's Norfolk Subjects ... 217
7 Sheep as a Pictorial Motif: Pastoral and Counter-Pastoral ... 246
8 Artisanal Worldview in the Paintings of John Crome ... 297
9 John Crome's 'Local Scenery': Iconography and the Ideology of the
Picturesque ... 336
10 Constable and his Audience: An Argument for Iconography ... 387
11 The Field of Waterloo Exposed: Turner, Byron, and the Politics of
Reaction ... 420
Coda: Regarding Art History ... 459
Bibliography ... 464
Index ... 492
Acknowledgements ... xi
Sources and Occasions ... xii
Introduction: Theoretical Apologia ... 1
Aesthetics and Ideology
1 The Science of Taste in the Eighteenth Century: Philosophical Criticism
and the Scottish Historical School ... 41
2 Academic Theory versus Association Aesthetics: The Ideological Forms of a
Conflict of Interests in the Early Nineteenth Century ... 86
3 Bourgeois Critiques of the Monopoly of Taste ... 114
4 Genius, Gender, and Progress: Benthamism and the Arts in the 1820s ...
150
5 Cultural Philanthropy and the Invention of the Norwich School ... 181
Landscape and Ideology
6 Meaning in Cotman's Norfolk Subjects ... 217
7 Sheep as a Pictorial Motif: Pastoral and Counter-Pastoral ... 246
8 Artisanal Worldview in the Paintings of John Crome ... 297
9 John Crome's 'Local Scenery': Iconography and the Ideology of the
Picturesque ... 336
10 Constable and his Audience: An Argument for Iconography ... 387
11 The Field of Waterloo Exposed: Turner, Byron, and the Politics of
Reaction ... 420
Coda: Regarding Art History ... 459
Bibliography ... 464
Index ... 492