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This book is a multi-faceted, interdisciplinary examination of the music and figure of Lady Gaga, combining approaches from scholars in cultural studies, art, fashion, and music, and contributing to popular musicology, film studies, queer studies, popular culture studies, and the burgeoning sub-discipline of aesthetics, philosophy of fashion. It visits both to pop cultural debates on the status of intertextuality, held in tension with originality, and to debates in women's and gender studies on the figuring of the sexualized female body.

Produktbeschreibung
This book is a multi-faceted, interdisciplinary examination of the music and figure of Lady Gaga, combining approaches from scholars in cultural studies, art, fashion, and music, and contributing to popular musicology, film studies, queer studies, popular culture studies, and the burgeoning sub-discipline of aesthetics, philosophy of fashion. It visits both to pop cultural debates on the status of intertextuality, held in tension with originality, and to debates in women's and gender studies on the figuring of the sexualized female body.
Autorenporträt
Martin Iddon is Professor of Music and Aesthetics and Head of School at the University of Leeds, United Kingdom. Melanie L. Marshall is a Marie Curie International Outgoing Fellow, a visiting scholar at New York University, USA, and a musicologist at University College Cork, Ireland.