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This volume takes a new look at the history of music in the 20th century by analyzing the social, political and emotional communication found in a wide number of musical practices.
How did the way people looked at music affect the interactions among different groups and individuals in the course of the 20th century? This volume presents a number of case examples from various musical genres and thus offers many insights into both general and genre-specific figurations of musical communication. This ranges from direct live acts to political productions, which cause inclusive and exclusive…mehr

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Produktbeschreibung
This volume takes a new look at the history of music in the 20th century by analyzing the social, political and emotional communication found in a wide number of musical practices.
How did the way people looked at music affect the interactions among different groups and individuals in the course of the 20th century? This volume presents a number of case examples from various musical genres and thus offers many insights into both general and genre-specific figurations of musical communication. This ranges from direct live acts to political productions, which cause inclusive and exclusive mechanisms to become active in communication processes taking place at various levels. The contributions to this volume show how, and why, opportunities for communication arise during musical activities which can lead to either complete harmony or fierce dissonance.
Autorenporträt
Hans-Joachim Hinrichsen ist ord. Professor (Emeritus) für Musikwissenschaft an der Universität Zürich.

Prof. Dr. Detlef Siegfried lehrt Neuere Deutsche und Europäische Geschichte an der Universität Kopenhagen, Dänemark. Seine Forschungsschwerpunkte sind die Geschichte der Alltags- und Massenkultur, Jugendkultur, Mediengeschichte, Linksradikalismus und zur Ethnizität.