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Kinematograf ostaetsya jeffektivnym sredstvom vliyaniya (v tom chisle i politicheskogo, ideologicheskogo) na auditoriju. Sledovatel'no, kak izuchenie transformacii obraza Rossii na zapadnom jekrane, tak i obraza Zapada na otechestvennom jekrane, segodnya po-prezhnemu aktual'no. Sredi zadach, postavlennyh v monografii, - opredelenie mesta i roli temy transformacii obraza Rossii na zapadnom jekrane i obraza Zapada na otechestvennom jekrane s 1946 (start poslevoennoj ideologicheskoj konfrontacii) po 1991 (raspad Sovetskogo Sojuza) gody v sravnenii s tendenciyami sovremennoj jepohi (1992-2016); izuchenie politicheskogo, ideologicheskogo, social'nogo, kul'turnogo kontexta, osnovnyh jetapov razvitiya, napravlenij, celej, zadach, avtorskih koncepcij traktovki dannoj temy na jekrane; klassifikaciya i sravnitel'nyj analiz ideologii, modelej soderzhaniya, modifikacij zhanra, stereotipov kinematografa, svyazannogo s traktovkami obraza Rossii i Zapada. Dlya issledovatelej v oblasti politologii, kul'turologii, kinovedeniya, mediakul'tury, sociologii, prepodavatelej, aspirantov i studentov vuzov gumanitarnyh special'nostej.