This book offers a new interpretation of Kant's aesthetics in the Critique of Judgment that shows its relevance to contemporary debates. It is aimed at philosophers, primarily those interested in Kant or in aesthetics, but it will also interest scholars of art theory, criticism, and cultural theory.
This book offers a new interpretation of Kant's aesthetics in the Critique of Judgment that shows its relevance to contemporary debates. It is aimed at philosophers, primarily those interested in Kant or in aesthetics, but it will also interest scholars of art theory, criticism, and cultural theory.
Katalin Makkai is Professor of Philosophy at Bard College, Berlin. She has published articles on Kant and film, and is the editor of Vertigo (2012).
Inhaltsangabe
Introduction: a twofold peculiarity 1. The art of judgment 2. Communication and animation in the judgment of taste 3. Subjectivity and recognition in the judgment of taste 4. Modes of attunement 5. Aesthetic liking.
Introduction: a twofold peculiarity 1. The art of judgment 2. Communication and animation in the judgment of taste 3. Subjectivity and recognition in the judgment of taste 4. Modes of attunement 5. Aesthetic liking.
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