This volume shows how Kafka evokes vision and emotion as fundamentally enactive, and how this makes his writing "cognitively realistic" in this respect. Cognitive realism is introduced as a framework for exploring how fictional characters' cognition correspond to or diverge from cognitive realities, and how this may affect real readers.
This volume shows how Kafka evokes vision and emotion as fundamentally enactive, and how this makes his writing "cognitively realistic" in this respect. Cognitive realism is introduced as a framework for exploring how fictional characters' cognition correspond to or diverge from cognitive realities, and how this may affect real readers.
Emily T. Troscianko is Junior Research Fellow in Modern Languages at St John's College, University of Oxford, UK. Recent publications include "The Cognitive Realism of Memory in Flaubert's Madame Bovary" (Modern Language Review 107 (2012): 772-95) and "Cognitive Realism and Memory in Proust's Madeleine Episode" (Memory Studies, OnlineFirst 2013).
Inhaltsangabe
Introduction: Cognitive Realism, Kafka, and Literary Theory 1. Perception without Pictures 2. Re-Envisioning the Imagination 3. Kafka's Poetics of Perception in Der Proceß 4.Feeling From New Perspectives Conclusion: Cognitive Realism in Kafka and Beyond
Introduction: Cognitive Realism, Kafka, and Literary Theory 1. Perception without Pictures 2. Re-Envisioning the Imagination 3. Kafka's Poetics of Perception in Der Proceß 4.Feeling From New Perspectives Conclusion: Cognitive Realism in Kafka and Beyond
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