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CONTENTS Creative Think Piece: A Grace-ful Testimony Jason Oby Toward a Broader Definition of the Unrealistic: Louise Erdrich's Future Home of the Living God and Ernesto Qui?onez's Ta?na M?nica G. Ayuso Communication Breakdown: Failed Embodied Individuation and Computer Mediated Communication in Samanta Schweblin's Kentukis [Little Eyes] Anthony L?pez Get Benevolent Conspiracy: Biopolitics and Paranoia in Shane Carruth's Upstream Color Steffen Hantke Filmic Transpositions of Comic Books: Theorising the Relationship Between the Languages of Cinema and Comics Yuri Garcia Grotesque Bodies and Grotesque Power in Djinn City and Clone Sayujya Sankar Jinetes de la tormenta: The Invasive Influence of Gender Constructs on the Journey Towards Selfhood and Societal Progress Marissa Luquette The Queer Temporality of Gail Carriger's Parasol Protectorate Willow M. Conley and Natalie Grinnell "I'm No Mollycoddle": A Reinterpretation of Lovecraft's "Pickman's Model" Dylan Henderson The Hell that You Create: Hellbound: Hellraiser II and the Limits of the Symbolic Order Barbara Greene Elliptical Structures and Fantastic Times: Coltrane's "My Favorite Things" and Garc?a M?rquez's One Hundred Years of Solitude Geoff Guevara-Geer Genre Infrastructure as Speculative Method in Latin America Patrick Anthony Barbosa Brock Gender and Old Age as Sources of Empowerment: Tenar's Case in Ursula K. Le Guin's Earthsea Saga Jon Alkorta REVIEWS Taryne Jade Taylor, Isiah Lavender III, Grace L. Dillon, and Bodhisattva Chattopadhyay's The Routledge Handbook of CoFuturisms Rev. by Alexis Brooks de Vita Yamile Saied M?ndez and Amparo Ortiz's Our Shadows Have Claws: Latin American Monster Stories Rev. by Jacob Hibbard John Plotz's Ursula Le Guin's Earthsea Rev. by Federico Palmieri di Pietro