A reception history of William Blake's 'Jerusalem' that traces the hymn's increasing associations with national identity and explores how different social and political factions, both left and right, have sought to impose their own meaning on building Jerusalem.
A reception history of William Blake's 'Jerusalem' that traces the hymn's increasing associations with national identity and explores how different social and political factions, both left and right, have sought to impose their own meaning on building Jerusalem.
Jason Whittaker is Head of the School of English and Journalism at the University of Lincoln. He has written extensively on William Blake, specializing in the reception of Blake by later generations of artists, writers, and musicians. He is also co-editor of the series Pop Music, Culture and Identity.
Inhaltsangabe
Introduction: Arrows of Desire 1: And Did Those Feet? Blake and Milton, 1800-1827 2: Our Clouded Hills: Before 'Jerusalem', 1827-1915 3: Mental Fight: Parry, the Great War and its Aftermath, 1916-1922 4: Dark Satanic Mills: Peace and War, 1923-1945 5: Bring Me My Bow: Empire's End, 1945-1976 6: Chariot of Fire: Thatcher's Britain and the End of the Cold War, 1977-1996 7: Green and Pleasant Land: From Blair to Brexit, 1997-2016 Epilogue: Albion
Introduction: Arrows of Desire 1: And Did Those Feet? Blake and Milton, 1800-1827 2: Our Clouded Hills: Before 'Jerusalem', 1827-1915 3: Mental Fight: Parry, the Great War and its Aftermath, 1916-1922 4: Dark Satanic Mills: Peace and War, 1923-1945 5: Bring Me My Bow: Empire's End, 1945-1976 6: Chariot of Fire: Thatcher's Britain and the End of the Cold War, 1977-1996 7: Green and Pleasant Land: From Blair to Brexit, 1997-2016 Epilogue: Albion
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