This volume offers a new interpretation of the whole of Godard's career in cinema. Drawing examples from all periods of Godard's filmmaking, it examines the parallels between the director's innovative approach to film form and wider developments in French culture and thought since 1950. -- .
This volume offers a new interpretation of the whole of Godard's career in cinema. Drawing examples from all periods of Godard's filmmaking, it examines the parallels between the director's innovative approach to film form and wider developments in French culture and thought since 1950. -- .
Douglas Morrey is Lecturer in French at the University of Newcastle-upon-Tyne
Inhaltsangabe
Series editors' foreword Acknowledgements 1. Necessity or contingency: Godard as film critic 1950 59 2. Scenes from domestic life: 1960 65 3. Outside: 1960 62 4. End of the beginning / beginning of the end: 1966 67 5. Schooling: 1968 72 6. Home movies: 1974 78 7. Love and work: 1979 84 8. Smiling with regret: 1984 90 9. The sense of an ending: 1991 96 10. Old man river: 1998 Conclusion Filmography Select Bibliography Index
Series editors' foreword Acknowledgements 1. Necessity or contingency: Godard as film critic 1950 59 2. Scenes from domestic life: 1960 65 3. Outside: 1960 62 4. End of the beginning / beginning of the end: 1966 67 5. Schooling: 1968 72 6. Home movies: 1974 78 7. Love and work: 1979 84 8. Smiling with regret: 1984 90 9. The sense of an ending: 1991 96 10. Old man river: 1998 Conclusion Filmography Select Bibliography Index
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