A comprehensive, original and accessible account of all aspects of Jean Cocteau's work in the cinema. The first major study in English for over forty years. Casts new light on Cocteau's most celebrated films as well as the lesser known ones.
A comprehensive, original and accessible account of all aspects of Jean Cocteau's work in the cinema. The first major study in English for over forty years. Casts new light on Cocteau's most celebrated films as well as the lesser known ones.
James S. Williams is Professor of Modern French Literature and Film at Royal Holloway, University of London, UK.
Inhaltsangabe
List of plates Series editors' foreword Acknowledgements 1. His name was Jean 2. All is possible: 'Le Sang d'un poète' 3. The tricks of the reel: I. 'L'Eternel retour'/'La Belle et la bête' II. 'L'Aigle à deux têtes'/'Les Parents terribles' III. 'La Villa Santo-Sospir'/'Le Testament d'Orphée' 4. In the zone:' Orphée' 5. Cocteau, Jean Marais and collaboration 6. For our eyes only: body and sexuality in reverse motion 7. En route Filmography Select bibliography Index
List of plates Series editors' foreword Acknowledgements 1. His name was Jean 2. All is possible: 'Le Sang d'un poète' 3. The tricks of the reel: I. 'L'Eternel retour'/'La Belle et la bête' II. 'L'Aigle à deux têtes'/'Les Parents terribles' III. 'La Villa Santo-Sospir'/'Le Testament d'Orphée' 4. In the zone:' Orphée' 5. Cocteau, Jean Marais and collaboration 6. For our eyes only: body and sexuality in reverse motion 7. En route Filmography Select bibliography Index
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