Gina MacDonald / Andrew F. MacDonald (eds.)
Jane Austen on Screen
Herausgeber: Macdonald, Gina; Mcdonald, Andrew; McDonald, Gina
Gina MacDonald / Andrew F. MacDonald (eds.)
Jane Austen on Screen
Herausgeber: Macdonald, Gina; Mcdonald, Andrew; McDonald, Gina
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This collection of essays explores the literary and cinematic implications of translating Austen's prose into film.
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This collection of essays explores the literary and cinematic implications of translating Austen's prose into film.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 300
- Erscheinungstermin: 30. November 2009
- Englisch
- Abmessung: 235mm x 157mm x 22mm
- Gewicht: 642g
- ISBN-13: 9780521793254
- ISBN-10: 0521793254
- Artikelnr.: 21745304
- Verlag: Cambridge University Press
- Seitenzahl: 300
- Erscheinungstermin: 30. November 2009
- Englisch
- Abmessung: 235mm x 157mm x 22mm
- Gewicht: 642g
- ISBN-13: 9780521793254
- ISBN-10: 0521793254
- Artikelnr.: 21745304
Gina Macdonald teaches at Nicholls State University in Thibodaux, Louisiana. Her books include James Clavell (1996) and Robert Ludlum (1997).
Andrew Macdonald teaches at Loyola University in New Orleans. He is the author of Howard Fast (1997).
Andrew Macdonald teaches at Loyola University in New Orleans. He is the author of Howard Fast (1997).
Jane Austen on screen: a filmography; 1. Short 'takes' on Austen:
Summarising the controversy between literary pursuits and film enthusiasts:
Sense and Sensibility: Ang Lee's sensitive screen interpretation of Jane
Austen Gaylene Preston; A few sceptical thoughts on Jane Austen and film
Roger Gard; Commodifying Austen: the Janeite culture of the internet and
commercialisation through product and television spinoffs Kate Bowles; 2.
Janeite culture: what does the name 'Jane Austen' authorise? Harriet
Margolis; 3. 'Such a transformation!': translation, imitation, and
intertextuality in Jane Austen on screen Jocelyn Harris; 4. Two Mansfield
Parks purist and postmodern Jan Fergus; 5. Sense and Sensibility in a
post-feminist world: sisterhood is still powerful Penny Gay; 6. Regency
romance shadowing in the visual motifs of Roger Mitchell's Persuasion
Paulette Richards; 7. Filming romance: Persuasion Tara G. Wallace; 8. Emma,
interrupted: speaking Jane Austen in fiction and film Hilary Schor; 9.
Reimagining Jane Austen: the 1940 and 1995 versions of Pride and Prejudice
Ellen Belton; 10. Emma and the art of adaptation David Monaghan; 11. Clues
for the clueless John Mosier; Questions for discussion; Bibliography.
Summarising the controversy between literary pursuits and film enthusiasts:
Sense and Sensibility: Ang Lee's sensitive screen interpretation of Jane
Austen Gaylene Preston; A few sceptical thoughts on Jane Austen and film
Roger Gard; Commodifying Austen: the Janeite culture of the internet and
commercialisation through product and television spinoffs Kate Bowles; 2.
Janeite culture: what does the name 'Jane Austen' authorise? Harriet
Margolis; 3. 'Such a transformation!': translation, imitation, and
intertextuality in Jane Austen on screen Jocelyn Harris; 4. Two Mansfield
Parks purist and postmodern Jan Fergus; 5. Sense and Sensibility in a
post-feminist world: sisterhood is still powerful Penny Gay; 6. Regency
romance shadowing in the visual motifs of Roger Mitchell's Persuasion
Paulette Richards; 7. Filming romance: Persuasion Tara G. Wallace; 8. Emma,
interrupted: speaking Jane Austen in fiction and film Hilary Schor; 9.
Reimagining Jane Austen: the 1940 and 1995 versions of Pride and Prejudice
Ellen Belton; 10. Emma and the art of adaptation David Monaghan; 11. Clues
for the clueless John Mosier; Questions for discussion; Bibliography.
Jane Austen on screen: a filmography; 1. Short 'takes' on Austen:
Summarising the controversy between literary pursuits and film enthusiasts:
Sense and Sensibility: Ang Lee's sensitive screen interpretation of Jane
Austen Gaylene Preston; A few sceptical thoughts on Jane Austen and film
Roger Gard; Commodifying Austen: the Janeite culture of the internet and
commercialisation through product and television spinoffs Kate Bowles; 2.
Janeite culture: what does the name 'Jane Austen' authorise? Harriet
Margolis; 3. 'Such a transformation!': translation, imitation, and
intertextuality in Jane Austen on screen Jocelyn Harris; 4. Two Mansfield
Parks purist and postmodern Jan Fergus; 5. Sense and Sensibility in a
post-feminist world: sisterhood is still powerful Penny Gay; 6. Regency
romance shadowing in the visual motifs of Roger Mitchell's Persuasion
Paulette Richards; 7. Filming romance: Persuasion Tara G. Wallace; 8. Emma,
interrupted: speaking Jane Austen in fiction and film Hilary Schor; 9.
Reimagining Jane Austen: the 1940 and 1995 versions of Pride and Prejudice
Ellen Belton; 10. Emma and the art of adaptation David Monaghan; 11. Clues
for the clueless John Mosier; Questions for discussion; Bibliography.
Summarising the controversy between literary pursuits and film enthusiasts:
Sense and Sensibility: Ang Lee's sensitive screen interpretation of Jane
Austen Gaylene Preston; A few sceptical thoughts on Jane Austen and film
Roger Gard; Commodifying Austen: the Janeite culture of the internet and
commercialisation through product and television spinoffs Kate Bowles; 2.
Janeite culture: what does the name 'Jane Austen' authorise? Harriet
Margolis; 3. 'Such a transformation!': translation, imitation, and
intertextuality in Jane Austen on screen Jocelyn Harris; 4. Two Mansfield
Parks purist and postmodern Jan Fergus; 5. Sense and Sensibility in a
post-feminist world: sisterhood is still powerful Penny Gay; 6. Regency
romance shadowing in the visual motifs of Roger Mitchell's Persuasion
Paulette Richards; 7. Filming romance: Persuasion Tara G. Wallace; 8. Emma,
interrupted: speaking Jane Austen in fiction and film Hilary Schor; 9.
Reimagining Jane Austen: the 1940 and 1995 versions of Pride and Prejudice
Ellen Belton; 10. Emma and the art of adaptation David Monaghan; 11. Clues
for the clueless John Mosier; Questions for discussion; Bibliography.