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This book addresses nineteenth through twenty-first century Arabic and Arab Jewish writing (Mahmoud Darwish, Ahmad Faris al-Shidyaq, Elias Khoury, Edmond Amran El Maleh, Shimon Ballas, and Taha Husayn), showing that language interrupts is domestication into the forms of temporal and aesthetic coherency privileged in the monolingual state in West Asia.