The machine was a primary concern for the Italian futurists. A tool in the factory, it was also a social and political agent, an aesthetic emblem and a symbol of past technologies. This groundbreaking book explores the culture of machines in Italian futurism after the First World War, taking in literature, art, photography, music and film.
The machine was a primary concern for the Italian futurists. A tool in the factory, it was also a social and political agent, an aesthetic emblem and a symbol of past technologies. This groundbreaking book explores the culture of machines in Italian futurism after the First World War, taking in literature, art, photography, music and film.
Katia Pizzi is Senior Lecturer in Italian Studies at the Institute of Modern Languages Research, School of Advanced Study, University of London.
Inhaltsangabe
Introduction: the rape of Europa 1 Futurismo and the machine 2 Mechanic machi(ni)smo: Filippo Tommaso Marinetti 3 Style of steel: Fortunato Depero in 'dynamoland' 4 At the frontier of futurismo 5 Between technodialogism and cosmic idealism 6 From aerodancing technobodies to dysfunctional machines Conclusion: ex machina Index
Introduction: the rape of Europa 1 Futurismo and the machine 2 Mechanic machi(ni)smo: Filippo Tommaso Marinetti 3 Style of steel: Fortunato Depero in 'dynamoland' 4 At the frontier of futurismo 5 Between technodialogism and cosmic idealism 6 From aerodancing technobodies to dysfunctional machines Conclusion: ex machina Index
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