Millicent Marcus
Italian Film in the Present Tense
Millicent Marcus
Italian Film in the Present Tense
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This book explores the Italian film landscape with a focus on cinematic achievements of the twenty-first century.
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This book explores the Italian film landscape with a focus on cinematic achievements of the twenty-first century.
Produktdetails
- Produktdetails
- Toronto Italian Studies
- Verlag: University of Toronto Press
- Seitenzahl: 290
- Erscheinungstermin: 8. Februar 2023
- Englisch
- Abmessung: 224mm x 150mm x 22mm
- Gewicht: 442g
- ISBN-13: 9781487546199
- ISBN-10: 148754619X
- Artikelnr.: 63662994
- Toronto Italian Studies
- Verlag: University of Toronto Press
- Seitenzahl: 290
- Erscheinungstermin: 8. Februar 2023
- Englisch
- Abmessung: 224mm x 150mm x 22mm
- Gewicht: 442g
- ISBN-13: 9781487546199
- ISBN-10: 148754619X
- Artikelnr.: 63662994
Millicent Marcus is a professor of Italian Studies and Film & Media Studies at Yale University.
Acknowledgments
Preface
Introduction: An Overview
Mafias
1. Toward a New Language of Engagement for the New Millennium:
Marco Tullio Giordana’s The One Hundred Steps, 2000
2. The Anti-Mafia Martyr Film Takes an Unexpected Turn:
Pierfrancesco Diliberto’s The Mafia Only Kills in the Summer, 2013
3. "This Is Not a Crime Film":
Michele Placido’s Crime Novel, 2005
4. "The Normality of Devastation":
Matteo Garrone’s Gomorrah, 2008
Neo-regionalism
5. "Non per vacanza, ma per viverci!" (Not to Vacation, but to Live Here!):
Giorgio Diritti’s The Wind Blows Round, 2005
6. The Child as the "Custodian of Future Memory":
Giorgio Diritti’s The Man Who Is to Come, 2009
Migrants
7. Channeling the Geographic Unconscious:
Federico Bondi’s Black Sea, 2009
8. "Your Position Please":
Gianfranco Rosi’s Fire at Sea, 2016
Leadership
9. The Ironist and the Auteur:
Paolo Sorrentino’s Il Divo, 2008
10. Liberating the Left: Toward a Humanist Language of Engagement for a
Post-Political Age:
Roberto Andò’s Long Live Liberty, 2013
11. The Pontiff and the Shrink:
Nanni Moretti’s We Have a Pope, 2011
Women
12. "It Ended the Way It Should Have":
Francesca Comencini’s The Blank Space, 2008
13. Comic Relief:
Riccardo Milani’s Don’t Stop Me Now, 2019
In a Category unto Itself
14. Hidden Beneath the "Blah Blah Blah":
Paolo Sorrentino’s The Great Beauty, 2013
Bibliography
Index
Preface
Introduction: An Overview
Mafias
1. Toward a New Language of Engagement for the New Millennium:
Marco Tullio Giordana’s The One Hundred Steps, 2000
2. The Anti-Mafia Martyr Film Takes an Unexpected Turn:
Pierfrancesco Diliberto’s The Mafia Only Kills in the Summer, 2013
3. "This Is Not a Crime Film":
Michele Placido’s Crime Novel, 2005
4. "The Normality of Devastation":
Matteo Garrone’s Gomorrah, 2008
Neo-regionalism
5. "Non per vacanza, ma per viverci!" (Not to Vacation, but to Live Here!):
Giorgio Diritti’s The Wind Blows Round, 2005
6. The Child as the "Custodian of Future Memory":
Giorgio Diritti’s The Man Who Is to Come, 2009
Migrants
7. Channeling the Geographic Unconscious:
Federico Bondi’s Black Sea, 2009
8. "Your Position Please":
Gianfranco Rosi’s Fire at Sea, 2016
Leadership
9. The Ironist and the Auteur:
Paolo Sorrentino’s Il Divo, 2008
10. Liberating the Left: Toward a Humanist Language of Engagement for a
Post-Political Age:
Roberto Andò’s Long Live Liberty, 2013
11. The Pontiff and the Shrink:
Nanni Moretti’s We Have a Pope, 2011
Women
12. "It Ended the Way It Should Have":
Francesca Comencini’s The Blank Space, 2008
13. Comic Relief:
Riccardo Milani’s Don’t Stop Me Now, 2019
In a Category unto Itself
14. Hidden Beneath the "Blah Blah Blah":
Paolo Sorrentino’s The Great Beauty, 2013
Bibliography
Index
Acknowledgments
Preface
Introduction: An Overview
Mafias
1. Toward a New Language of Engagement for the New Millennium:
Marco Tullio Giordana’s The One Hundred Steps, 2000
2. The Anti-Mafia Martyr Film Takes an Unexpected Turn:
Pierfrancesco Diliberto’s The Mafia Only Kills in the Summer, 2013
3. "This Is Not a Crime Film":
Michele Placido’s Crime Novel, 2005
4. "The Normality of Devastation":
Matteo Garrone’s Gomorrah, 2008
Neo-regionalism
5. "Non per vacanza, ma per viverci!" (Not to Vacation, but to Live Here!):
Giorgio Diritti’s The Wind Blows Round, 2005
6. The Child as the "Custodian of Future Memory":
Giorgio Diritti’s The Man Who Is to Come, 2009
Migrants
7. Channeling the Geographic Unconscious:
Federico Bondi’s Black Sea, 2009
8. "Your Position Please":
Gianfranco Rosi’s Fire at Sea, 2016
Leadership
9. The Ironist and the Auteur:
Paolo Sorrentino’s Il Divo, 2008
10. Liberating the Left: Toward a Humanist Language of Engagement for a
Post-Political Age:
Roberto Andò’s Long Live Liberty, 2013
11. The Pontiff and the Shrink:
Nanni Moretti’s We Have a Pope, 2011
Women
12. "It Ended the Way It Should Have":
Francesca Comencini’s The Blank Space, 2008
13. Comic Relief:
Riccardo Milani’s Don’t Stop Me Now, 2019
In a Category unto Itself
14. Hidden Beneath the "Blah Blah Blah":
Paolo Sorrentino’s The Great Beauty, 2013
Bibliography
Index
Preface
Introduction: An Overview
Mafias
1. Toward a New Language of Engagement for the New Millennium:
Marco Tullio Giordana’s The One Hundred Steps, 2000
2. The Anti-Mafia Martyr Film Takes an Unexpected Turn:
Pierfrancesco Diliberto’s The Mafia Only Kills in the Summer, 2013
3. "This Is Not a Crime Film":
Michele Placido’s Crime Novel, 2005
4. "The Normality of Devastation":
Matteo Garrone’s Gomorrah, 2008
Neo-regionalism
5. "Non per vacanza, ma per viverci!" (Not to Vacation, but to Live Here!):
Giorgio Diritti’s The Wind Blows Round, 2005
6. The Child as the "Custodian of Future Memory":
Giorgio Diritti’s The Man Who Is to Come, 2009
Migrants
7. Channeling the Geographic Unconscious:
Federico Bondi’s Black Sea, 2009
8. "Your Position Please":
Gianfranco Rosi’s Fire at Sea, 2016
Leadership
9. The Ironist and the Auteur:
Paolo Sorrentino’s Il Divo, 2008
10. Liberating the Left: Toward a Humanist Language of Engagement for a
Post-Political Age:
Roberto Andò’s Long Live Liberty, 2013
11. The Pontiff and the Shrink:
Nanni Moretti’s We Have a Pope, 2011
Women
12. "It Ended the Way It Should Have":
Francesca Comencini’s The Blank Space, 2008
13. Comic Relief:
Riccardo Milani’s Don’t Stop Me Now, 2019
In a Category unto Itself
14. Hidden Beneath the "Blah Blah Blah":
Paolo Sorrentino’s The Great Beauty, 2013
Bibliography
Index