Miguel Asin Palacios
Islam and the Divine Comedy
Miguel Asin Palacios
Islam and the Divine Comedy
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When first published in 1926, this book aroused much controversy. The theory expounded in the book was that Islamic sources in general, and the writings of Ibn al-`Arabi in particular, formed the basis of Dante's poem Divine Comedy, the poem which symbolised the whole culture of medieval Christianity.
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When first published in 1926, this book aroused much controversy. The theory expounded in the book was that Islamic sources in general, and the writings of Ibn al-`Arabi in particular, formed the basis of Dante's poem Divine Comedy, the poem which symbolised the whole culture of medieval Christianity.
Produktdetails
- Produktdetails
- Verlag: CRC Press
- Seitenzahl: 324
- Erscheinungstermin: 29. November 2007
- Englisch
- Abmessung: 216mm x 140mm x 19mm
- Gewicht: 522g
- ISBN-13: 9780415439190
- ISBN-10: 0415439191
- Artikelnr.: 66557622
- Verlag: CRC Press
- Seitenzahl: 324
- Erscheinungstermin: 29. November 2007
- Englisch
- Abmessung: 216mm x 140mm x 19mm
- Gewicht: 522g
- ISBN-13: 9780415439190
- ISBN-10: 0415439191
- Artikelnr.: 66557622
Miguel Asin Palacios
PART I THE LEGEND OF THE NOCTURNAL JOURNEY AND ASCENSION OF MAHOMET
COMPARED WITH THE DIVINE COMEDY I. THE ORIGIN OF THE LEGEND II. FIRST
CYCLE-VERSIONS OF THE ISRA, OR NOCTURNAL JOURNEY III. SECOND CYCLE-VERSIONS
OF THE MIRAJ, OR ASCENSION IV. THIRD CYCLE-FUSION OF THE VERSIONS OF THE
ISRA AND THE MIRAJ V. THEOLOGICAL COMMENTARIES ON THE LEGEND VI.
ADAPTATIONS FROM THE LEGEND, MAINLY MYSTICAL ALLEGORIES VII. LITERARY
IMITATIONS OF THE LEGEND VIII. SUMMARY OF COMPARISONS PART II THE DIVINE
COMEDY COMPARED WITH OTHER MOSLEM LEGENDS ON THE AFTER-LIFE I. INTRODUCTION
II. THE MOSLEM LIMBO IN THE DIVINE COMEDY III. THE MOSLEM HELL IN THE
DIVINE COMEDY IV. THE MOSLEM HELL IN THE DIVINE COMEDY-continued*V. THE
MOSLEM HELL IN THE DIVINE COMEDY (Conclusion) originality VI. THE MOSLEM
PURGATORY IN THE DIVINE COMEDY VII. THE EARTHLY PARADISE OF ISLAM IN THE
DIVINE COMEDY VIII. THE CELESTIAL PARADISE OF ISLAM IN THE DIVINE COMEDY IX
. THE CELESTIAL PARADISE OF ISLAM IN THE DIVINE COMEDY (Conclusion)
SYNTHESIS OF ALL THE PARTIAL COMPARISONS PART III MOSLEM FEATURES IN THE
CHRISTIAN LEGENDS PRECURSORY OF THE DIVINE COMEDY I. INTRODUCTION II.
LEGENDS OF VISIONS OF HELL III. LEGENDS OF VISIONS OF HELL- continued IV.
LEGENDS OF VISIONS OF HELL (Conclusion) V. LEGENDS ON THE WEIGHING OF SOULS
VI. LEGENDS OF PARADISE VII. LEGENDS OF SEA VOYAGESVIII. LEGENDS OF
SLEEPERS I X . LEGENDS OF THE RESPITE FROM TORTURE X. LEGENDS ON THE DEBATE
BETWEEN ANGELS AND DEVILS FOR POSSESSION OF THE SOUL PART IV PROBABILITY OF
THE TRANSMISSION OF ISLAMIC MODELS TO CHRISTIAN EUROPE AND PARTICULARLY TO
DANTE I INTRODUCTION II. COMMUNICATION BETWEEN ISLAM AND CHRISTIAN EUROPE
DURING THE MIDDLE AGES III. TRANSMISSION OF THE MOSLEM LEGENDS ON THE
AFTER-LIFE TO CHRISTIAN EUROPE AND DANTE IV. THE ATTRACTION FELT BY DANTE
TOWARDS ARABIC CULTURE CONFIRMS THE HYPOTHESIS OF IMITATION V. THE CLOSE
RESEMBLANCE BETWEEN DANTE AND THE MYSTIC, IBN ARABI OF MURCIA, FURNISHES
FURTHER PROOF OF THE THESIS OF IMITATION
COMPARED WITH THE DIVINE COMEDY I. THE ORIGIN OF THE LEGEND II. FIRST
CYCLE-VERSIONS OF THE ISRA, OR NOCTURNAL JOURNEY III. SECOND CYCLE-VERSIONS
OF THE MIRAJ, OR ASCENSION IV. THIRD CYCLE-FUSION OF THE VERSIONS OF THE
ISRA AND THE MIRAJ V. THEOLOGICAL COMMENTARIES ON THE LEGEND VI.
ADAPTATIONS FROM THE LEGEND, MAINLY MYSTICAL ALLEGORIES VII. LITERARY
IMITATIONS OF THE LEGEND VIII. SUMMARY OF COMPARISONS PART II THE DIVINE
COMEDY COMPARED WITH OTHER MOSLEM LEGENDS ON THE AFTER-LIFE I. INTRODUCTION
II. THE MOSLEM LIMBO IN THE DIVINE COMEDY III. THE MOSLEM HELL IN THE
DIVINE COMEDY IV. THE MOSLEM HELL IN THE DIVINE COMEDY-continued*V. THE
MOSLEM HELL IN THE DIVINE COMEDY (Conclusion) originality VI. THE MOSLEM
PURGATORY IN THE DIVINE COMEDY VII. THE EARTHLY PARADISE OF ISLAM IN THE
DIVINE COMEDY VIII. THE CELESTIAL PARADISE OF ISLAM IN THE DIVINE COMEDY IX
. THE CELESTIAL PARADISE OF ISLAM IN THE DIVINE COMEDY (Conclusion)
SYNTHESIS OF ALL THE PARTIAL COMPARISONS PART III MOSLEM FEATURES IN THE
CHRISTIAN LEGENDS PRECURSORY OF THE DIVINE COMEDY I. INTRODUCTION II.
LEGENDS OF VISIONS OF HELL III. LEGENDS OF VISIONS OF HELL- continued IV.
LEGENDS OF VISIONS OF HELL (Conclusion) V. LEGENDS ON THE WEIGHING OF SOULS
VI. LEGENDS OF PARADISE VII. LEGENDS OF SEA VOYAGESVIII. LEGENDS OF
SLEEPERS I X . LEGENDS OF THE RESPITE FROM TORTURE X. LEGENDS ON THE DEBATE
BETWEEN ANGELS AND DEVILS FOR POSSESSION OF THE SOUL PART IV PROBABILITY OF
THE TRANSMISSION OF ISLAMIC MODELS TO CHRISTIAN EUROPE AND PARTICULARLY TO
DANTE I INTRODUCTION II. COMMUNICATION BETWEEN ISLAM AND CHRISTIAN EUROPE
DURING THE MIDDLE AGES III. TRANSMISSION OF THE MOSLEM LEGENDS ON THE
AFTER-LIFE TO CHRISTIAN EUROPE AND DANTE IV. THE ATTRACTION FELT BY DANTE
TOWARDS ARABIC CULTURE CONFIRMS THE HYPOTHESIS OF IMITATION V. THE CLOSE
RESEMBLANCE BETWEEN DANTE AND THE MYSTIC, IBN ARABI OF MURCIA, FURNISHES
FURTHER PROOF OF THE THESIS OF IMITATION
PART I THE LEGEND OF THE NOCTURNAL JOURNEY AND ASCENSION OF MAHOMET
COMPARED WITH THE DIVINE COMEDY I. THE ORIGIN OF THE LEGEND II. FIRST
CYCLE-VERSIONS OF THE ISRA, OR NOCTURNAL JOURNEY III. SECOND CYCLE-VERSIONS
OF THE MIRAJ, OR ASCENSION IV. THIRD CYCLE-FUSION OF THE VERSIONS OF THE
ISRA AND THE MIRAJ V. THEOLOGICAL COMMENTARIES ON THE LEGEND VI.
ADAPTATIONS FROM THE LEGEND, MAINLY MYSTICAL ALLEGORIES VII. LITERARY
IMITATIONS OF THE LEGEND VIII. SUMMARY OF COMPARISONS PART II THE DIVINE
COMEDY COMPARED WITH OTHER MOSLEM LEGENDS ON THE AFTER-LIFE I. INTRODUCTION
II. THE MOSLEM LIMBO IN THE DIVINE COMEDY III. THE MOSLEM HELL IN THE
DIVINE COMEDY IV. THE MOSLEM HELL IN THE DIVINE COMEDY-continued*V. THE
MOSLEM HELL IN THE DIVINE COMEDY (Conclusion) originality VI. THE MOSLEM
PURGATORY IN THE DIVINE COMEDY VII. THE EARTHLY PARADISE OF ISLAM IN THE
DIVINE COMEDY VIII. THE CELESTIAL PARADISE OF ISLAM IN THE DIVINE COMEDY IX
. THE CELESTIAL PARADISE OF ISLAM IN THE DIVINE COMEDY (Conclusion)
SYNTHESIS OF ALL THE PARTIAL COMPARISONS PART III MOSLEM FEATURES IN THE
CHRISTIAN LEGENDS PRECURSORY OF THE DIVINE COMEDY I. INTRODUCTION II.
LEGENDS OF VISIONS OF HELL III. LEGENDS OF VISIONS OF HELL- continued IV.
LEGENDS OF VISIONS OF HELL (Conclusion) V. LEGENDS ON THE WEIGHING OF SOULS
VI. LEGENDS OF PARADISE VII. LEGENDS OF SEA VOYAGESVIII. LEGENDS OF
SLEEPERS I X . LEGENDS OF THE RESPITE FROM TORTURE X. LEGENDS ON THE DEBATE
BETWEEN ANGELS AND DEVILS FOR POSSESSION OF THE SOUL PART IV PROBABILITY OF
THE TRANSMISSION OF ISLAMIC MODELS TO CHRISTIAN EUROPE AND PARTICULARLY TO
DANTE I INTRODUCTION II. COMMUNICATION BETWEEN ISLAM AND CHRISTIAN EUROPE
DURING THE MIDDLE AGES III. TRANSMISSION OF THE MOSLEM LEGENDS ON THE
AFTER-LIFE TO CHRISTIAN EUROPE AND DANTE IV. THE ATTRACTION FELT BY DANTE
TOWARDS ARABIC CULTURE CONFIRMS THE HYPOTHESIS OF IMITATION V. THE CLOSE
RESEMBLANCE BETWEEN DANTE AND THE MYSTIC, IBN ARABI OF MURCIA, FURNISHES
FURTHER PROOF OF THE THESIS OF IMITATION
COMPARED WITH THE DIVINE COMEDY I. THE ORIGIN OF THE LEGEND II. FIRST
CYCLE-VERSIONS OF THE ISRA, OR NOCTURNAL JOURNEY III. SECOND CYCLE-VERSIONS
OF THE MIRAJ, OR ASCENSION IV. THIRD CYCLE-FUSION OF THE VERSIONS OF THE
ISRA AND THE MIRAJ V. THEOLOGICAL COMMENTARIES ON THE LEGEND VI.
ADAPTATIONS FROM THE LEGEND, MAINLY MYSTICAL ALLEGORIES VII. LITERARY
IMITATIONS OF THE LEGEND VIII. SUMMARY OF COMPARISONS PART II THE DIVINE
COMEDY COMPARED WITH OTHER MOSLEM LEGENDS ON THE AFTER-LIFE I. INTRODUCTION
II. THE MOSLEM LIMBO IN THE DIVINE COMEDY III. THE MOSLEM HELL IN THE
DIVINE COMEDY IV. THE MOSLEM HELL IN THE DIVINE COMEDY-continued*V. THE
MOSLEM HELL IN THE DIVINE COMEDY (Conclusion) originality VI. THE MOSLEM
PURGATORY IN THE DIVINE COMEDY VII. THE EARTHLY PARADISE OF ISLAM IN THE
DIVINE COMEDY VIII. THE CELESTIAL PARADISE OF ISLAM IN THE DIVINE COMEDY IX
. THE CELESTIAL PARADISE OF ISLAM IN THE DIVINE COMEDY (Conclusion)
SYNTHESIS OF ALL THE PARTIAL COMPARISONS PART III MOSLEM FEATURES IN THE
CHRISTIAN LEGENDS PRECURSORY OF THE DIVINE COMEDY I. INTRODUCTION II.
LEGENDS OF VISIONS OF HELL III. LEGENDS OF VISIONS OF HELL- continued IV.
LEGENDS OF VISIONS OF HELL (Conclusion) V. LEGENDS ON THE WEIGHING OF SOULS
VI. LEGENDS OF PARADISE VII. LEGENDS OF SEA VOYAGESVIII. LEGENDS OF
SLEEPERS I X . LEGENDS OF THE RESPITE FROM TORTURE X. LEGENDS ON THE DEBATE
BETWEEN ANGELS AND DEVILS FOR POSSESSION OF THE SOUL PART IV PROBABILITY OF
THE TRANSMISSION OF ISLAMIC MODELS TO CHRISTIAN EUROPE AND PARTICULARLY TO
DANTE I INTRODUCTION II. COMMUNICATION BETWEEN ISLAM AND CHRISTIAN EUROPE
DURING THE MIDDLE AGES III. TRANSMISSION OF THE MOSLEM LEGENDS ON THE
AFTER-LIFE TO CHRISTIAN EUROPE AND DANTE IV. THE ATTRACTION FELT BY DANTE
TOWARDS ARABIC CULTURE CONFIRMS THE HYPOTHESIS OF IMITATION V. THE CLOSE
RESEMBLANCE BETWEEN DANTE AND THE MYSTIC, IBN ARABI OF MURCIA, FURNISHES
FURTHER PROOF OF THE THESIS OF IMITATION