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This book explores 50 years of Irish women's prison writing, 1960s-2010s, connecting the work of women leaders and writers in the Six Counties of Ireland during the Troubles.
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This book explores 50 years of Irish women's prison writing, 1960s-2010s, connecting the work of women leaders and writers in the Six Counties of Ireland during the Troubles.
Produktdetails
- Produktdetails
- Verlag: CRC Press
- Seitenzahl: 200
- Erscheinungstermin: 16. November 2022
- Englisch
- Abmessung: 229mm x 152mm x 13mm
- Gewicht: 454g
- ISBN-13: 9781032103525
- ISBN-10: 1032103523
- Artikelnr.: 62665018
- Verlag: CRC Press
- Seitenzahl: 200
- Erscheinungstermin: 16. November 2022
- Englisch
- Abmessung: 229mm x 152mm x 13mm
- Gewicht: 454g
- ISBN-13: 9781032103525
- ISBN-10: 1032103523
- Artikelnr.: 62665018
Red Washburn, PhD, is Professor of English and Director of Women's and Gender Studies at the City University of New York, Kingsborough Community College. They also teach Women's and Gender Studies at Brooklyn College and the Graduate Center. They are the co-editor of Women's Studies Quarterly, published by the Feminist Press. Red's articles appear in Journal for the Study of Radicalism, Women's Studies: An Interdisciplinary Journal, and Journal of Lesbian Studies. Their essays are in several anthologies, including Theory and Praxis: Women's and Gender Studies at Community Colleges, Introduction to Women's, Gender & Sexuality Studies: Interdisciplinary and Intersectional Approaches, and Trans Bodies, Trans Selves: A Resource for the Transgender Community. They are the co-editor of Sinister Wisdom's Dump Trump: Legacies of Resistance, 45 Years: A Tribute to Lesbian Herstory Archive, and Trans/Feminisms. Finishing Line Press published their poetry collections Crestview Tree Woman and Birch Philosopher X. They received an American Council of Learned Societies/Andrew W. Mellon Foundation fellowship for their next project Nonbinary: Tr@ns-Forming Gender and Genre in Nonbin@ry Literature, Performance, and Visual Art. Red is a coordinator at the Lesbian Herstory Archives and on the board of directors of Center for LGBTQ Studies.
Chapter 1: Introduction: Knowledge, Power, and Intersections of Theory/
History/ Auto/biography/ Methodology
Chapter 2: Civil Rights March Script: Rhetoric, Politics, and Tactics in
Bernadette McAliskey's Memoir The Price of My Soul
Chapter 3: In the Footsteps of the Officers-in-Command: The Comradeship of
No Wash, Hunger Strikes, and Fecal Art in the Prison Prose of Eileen
Hickey, Mairéad Farrell, and Síle Darragh
Chapter 4: "Our Only Weapon Was Our Pen": Strip-Searching and Resistance in
the Politics and Prison Epistolary of Ella O'Dwyer and Martina Anderson
Chapter 5: Sisters in Shackles: Sisterhood, Exile, and Force-Feeding in the
Writings of the Price and Gillespie Sisters
Chapter 6: Writing on the Walls: Power and Struggle in the Prison Poetry of
Roseleen Walsh
Chapter 7: Bloody Writing: Menstruation and Herstory in Margaretta D'Arcy's
Tell Them Everything
Chapter 8: Conclusion: Towards an Interdisciplinary Prison Archive and an
Intersectional Abolitionist Feminism
History/ Auto/biography/ Methodology
Chapter 2: Civil Rights March Script: Rhetoric, Politics, and Tactics in
Bernadette McAliskey's Memoir The Price of My Soul
Chapter 3: In the Footsteps of the Officers-in-Command: The Comradeship of
No Wash, Hunger Strikes, and Fecal Art in the Prison Prose of Eileen
Hickey, Mairéad Farrell, and Síle Darragh
Chapter 4: "Our Only Weapon Was Our Pen": Strip-Searching and Resistance in
the Politics and Prison Epistolary of Ella O'Dwyer and Martina Anderson
Chapter 5: Sisters in Shackles: Sisterhood, Exile, and Force-Feeding in the
Writings of the Price and Gillespie Sisters
Chapter 6: Writing on the Walls: Power and Struggle in the Prison Poetry of
Roseleen Walsh
Chapter 7: Bloody Writing: Menstruation and Herstory in Margaretta D'Arcy's
Tell Them Everything
Chapter 8: Conclusion: Towards an Interdisciplinary Prison Archive and an
Intersectional Abolitionist Feminism
Chapter 1: Introduction: Knowledge, Power, and Intersections of Theory/
History/ Auto/biography/ Methodology
Chapter 2: Civil Rights March Script: Rhetoric, Politics, and Tactics in
Bernadette McAliskey's Memoir The Price of My Soul
Chapter 3: In the Footsteps of the Officers-in-Command: The Comradeship of
No Wash, Hunger Strikes, and Fecal Art in the Prison Prose of Eileen
Hickey, Mairéad Farrell, and Síle Darragh
Chapter 4: "Our Only Weapon Was Our Pen": Strip-Searching and Resistance in
the Politics and Prison Epistolary of Ella O'Dwyer and Martina Anderson
Chapter 5: Sisters in Shackles: Sisterhood, Exile, and Force-Feeding in the
Writings of the Price and Gillespie Sisters
Chapter 6: Writing on the Walls: Power and Struggle in the Prison Poetry of
Roseleen Walsh
Chapter 7: Bloody Writing: Menstruation and Herstory in Margaretta D'Arcy's
Tell Them Everything
Chapter 8: Conclusion: Towards an Interdisciplinary Prison Archive and an
Intersectional Abolitionist Feminism
History/ Auto/biography/ Methodology
Chapter 2: Civil Rights March Script: Rhetoric, Politics, and Tactics in
Bernadette McAliskey's Memoir The Price of My Soul
Chapter 3: In the Footsteps of the Officers-in-Command: The Comradeship of
No Wash, Hunger Strikes, and Fecal Art in the Prison Prose of Eileen
Hickey, Mairéad Farrell, and Síle Darragh
Chapter 4: "Our Only Weapon Was Our Pen": Strip-Searching and Resistance in
the Politics and Prison Epistolary of Ella O'Dwyer and Martina Anderson
Chapter 5: Sisters in Shackles: Sisterhood, Exile, and Force-Feeding in the
Writings of the Price and Gillespie Sisters
Chapter 6: Writing on the Walls: Power and Struggle in the Prison Poetry of
Roseleen Walsh
Chapter 7: Bloody Writing: Menstruation and Herstory in Margaretta D'Arcy's
Tell Them Everything
Chapter 8: Conclusion: Towards an Interdisciplinary Prison Archive and an
Intersectional Abolitionist Feminism