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Ireland's New Traditionalists explores the efforts by Fianna Fáil in the years 1926-1938 to construct a nationalist aesthetic rooted in idealised representations of masculinity and femininity, as evident in the party's electoral ephemerae, newspapers, speeches, and film. Moreover, the book situates Fianna Fáil within the context of interwar Europe, noting especially how the party was able to navigate the anxieties and complexities of this fraught period. These efforts did much to contribute to the party's electoral successes in the 1930s that climaxed with the declaration of an independent Éire.…mehr

Produktbeschreibung
Ireland's New Traditionalists explores the efforts by Fianna Fáil in the years 1926-1938 to construct a nationalist aesthetic rooted in idealised representations of masculinity and femininity, as evident in the party's electoral ephemerae, newspapers, speeches, and film. Moreover, the book situates Fianna Fáil within the context of interwar Europe, noting especially how the party was able to navigate the anxieties and complexities of this fraught period. These efforts did much to contribute to the party's electoral successes in the 1930s that climaxed with the declaration of an independent Éire.
Autorenporträt
Kenneth Shonk is an Associate Professor of World History and Social Studies Education at the University of Wisconsin-La Crosse. A native of southern California and former high school teacher, he earned his doctorate in Irish history at Marquette University in Milwaukee, Wisconsin. His book, Historical Theory and Methods through Popular Music, 1970-2000, co-authored with Daniel McClure, was published by Palgrave in 2017.