CHRISTINE WEDER is Professor in Modern German Literature at the University of Geneva.
Inhaltsangabe
Translator's Note List of Abbreviations Introduction: Stories of Ars and Eros The Relation the Parts of This Book: Liaisons stimulantes Part I. The Aesthetic Ambitions of Sexual Theories Introduction to Part I 1. Literature as an Aid for Sexual Liberation: Wilhelm Reich's Art of Manipulation 2. Literature as an Attractive Reminder of a Pleasurable Future: The Orientation of the New Sexuality towards Art in the Work of Herbert Marcuse 3. Sex Front, or The Ironic Art of Enlightenment: Sexuality as Pop Art Conclusion to Part I Part II. Sexual Obsessions in Aesthetics Introduction to Part II 4. Stimulating Dissolution of Boundaries: The Literary History of the Obscene and Ludwig Marcuse's Program of Writing "Without a Safety Helmet" 5. Art or Pornography? For and Against Contemporary Literature in the "Zurich Literature Controversy" 6. Exclusive vs Popularizing Dissolution of Boundaries: Pro-pornography as a Model Example of Extreme Literature (Susan Sontag) or of Mass Culture (Leslie A. Fiedler) 7. Potentiated Dialectics: The Obscene as a Formal Principle of Anti-Pornographic Art in the Work of Peter Gorsen 8. The Orgasm as a Model of Aesthetic Experience and the Masochistic Pleasure of Modern Art in the Work of Theodor W. Adorno 9. "Le plaisir en pièces; la langue en pièces": Erotic Fragments of a Theory of Textual Eroticism in the Work of Roland Barthes Conclusion to Part II Bibliography Index
Translator's Note List of Abbreviations Introduction: Stories of Ars and Eros The Relation the Parts of This Book: Liaisons stimulantes Part I. The Aesthetic Ambitions of Sexual Theories Introduction to Part I 1. Literature as an Aid for Sexual Liberation: Wilhelm Reich's Art of Manipulation 2. Literature as an Attractive Reminder of a Pleasurable Future: The Orientation of the New Sexuality towards Art in the Work of Herbert Marcuse 3. Sex Front, or The Ironic Art of Enlightenment: Sexuality as Pop Art Conclusion to Part I Part II. Sexual Obsessions in Aesthetics Introduction to Part II 4. Stimulating Dissolution of Boundaries: The Literary History of the Obscene and Ludwig Marcuse's Program of Writing "Without a Safety Helmet" 5. Art or Pornography? For and Against Contemporary Literature in the "Zurich Literature Controversy" 6. Exclusive vs Popularizing Dissolution of Boundaries: Pro-pornography as a Model Example of Extreme Literature (Susan Sontag) or of Mass Culture (Leslie A. Fiedler) 7. Potentiated Dialectics: The Obscene as a Formal Principle of Anti-Pornographic Art in the Work of Peter Gorsen 8. The Orgasm as a Model of Aesthetic Experience and the Masochistic Pleasure of Modern Art in the Work of Theodor W. Adorno 9. "Le plaisir en pièces; la langue en pièces": Erotic Fragments of a Theory of Textual Eroticism in the Work of Roland Barthes Conclusion to Part II Bibliography Index
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