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James Bromley argues that Renaissance texts circulate knowledge about a variety of non-standard sexual practices and intimate life narratives, including non-monogamy, anal eroticism, masochism and cross-racial female homoeroticism. Rethinking current assumptions about intimacy in Renaissance drama, poetry and prose, the book blends historicized and queer approaches to embodiment, narrative and temporality. An important contribution to Renaissance literary studies, queer theory and the history of sexuality, the book demonstrates the relevance of Renaissance literature to today. Through close…mehr

Produktbeschreibung
James Bromley argues that Renaissance texts circulate knowledge about a variety of non-standard sexual practices and intimate life narratives, including non-monogamy, anal eroticism, masochism and cross-racial female homoeroticism. Rethinking current assumptions about intimacy in Renaissance drama, poetry and prose, the book blends historicized and queer approaches to embodiment, narrative and temporality. An important contribution to Renaissance literary studies, queer theory and the history of sexuality, the book demonstrates the relevance of Renaissance literature to today. Through close readings of William Shakespeare's 'problem comedies', Christopher Marlowe's Hero and Leander, plays by Beaumont and Fletcher, Thomas Middleton's The Nice Valour and Lady Mary Wroth's sonnet sequence Pamphilia to Amphilanthus and her prose romance The Urania, Bromley re-evaluates notions of the centrality of deep, abiding affection in Renaissance culture and challenges our own investment in a narrowly defined intimate sphere.
Autorenporträt
James Bromley is Assistant Professor of English at Miami University. He has published essays on intimacy, sexual practice and Renaissance literature in Early Modern Literary Studies, Studies in Philology and Modern Philology. He is the winner of the 2011 Martin Stevens Award for Best New Essay in Early Drama Studies from the Medieval and Renaissance Drama Society.
Rezensionen
'One relishes the way in which Bromley pursues his arguments ... via texts other than the usual suspects. And when Bromley does now and again take up some of the more expected literary cases for a study of early modern intimacy (and its discontents), he succeeds in making those works look different. This book is well informed regarding the most pertinent critical debates of the moment in sexuality studies.' Richard Rambuss, Brown University, Rhode Island