International theatre and live-arts festivals too often come under the exclusive purview of tourism and city branding. Exploring their potential to foster communication across cultural difference, this book demonstrates how they might better serve one of the most urgent processes of our times: intercultural negotiation and exchange.
International theatre and live-arts festivals too often come under the exclusive purview of tourism and city branding. Exploring their potential to foster communication across cultural difference, this book demonstrates how they might better serve one of the most urgent processes of our times: intercultural negotiation and exchange.
Ric Knowles is University Professor Emeritus in the School of English and Theatre Studies at The University of Guelph, Ontario. He is the award-winning author of eight and editor of thirteen books on theatre and performance, as well as a former editor of Theatre Journal, Modern Drama, and Canadian Theatre Review. Among many book and essay prizes, he has won the Excellence in Editing (Sustained Achievement) Award from the Association for Theatre in Higher Education, the Lifetime Achievement award from the Canadian Association for Theatre Research, and the Distinguished Scholar award from the American Society for Theatre Research. He is also a practicing professional play devisor and dramaturg and a member of the Literary Managers and Dramaturgs of the Americas.
Inhaltsangabe
1. Indigeneity, festivals, and indigenous festivals 2. Destination festivals and the international festival circuit 3. The curated live-arts festival 4. Fringe festivals and other alternatives 5. The intracultural transnational.
1. Indigeneity, festivals, and indigenous festivals 2. Destination festivals and the international festival circuit 3. The curated live-arts festival 4. Fringe festivals and other alternatives 5. The intracultural transnational.
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