This volume examines how the field of Chicana/o studies has developed to become an area of interest to scholars far beyond the United States and Spain.
This volume examines how the field of Chicana/o studies has developed to become an area of interest to scholars far beyond the United States and Spain.
Catherine Leen is a Lecturer in the Department of Spanish at the National University of Ireland, Maynooth, specialising in Mexican and Chicana/o literature and cinema and Argentine and Paraguayan cultures. Her recent publications include works on Sandra Cisneros and Guillermo Gómez-Peña. Niamh Thornton is a Reader in Latin American Studies at the University of Liverpool, UK. She is a Latin Americanist with a particular focus on Mexican film and literature and a key interest in the representations of conflict. She has also written about queer representations and cyberculture.
Inhaltsangabe
Introduction. Part I: Critical Paradigms: Continuities and Transitions 1. From Chapbooks to Chica Lit: U.S. Latina Writers and the New Literary Identity Ellen McCracken 2. Healing Family History/ (Her) Story: Writing and Gardening in Pat Mora's House of Houses Imelda Martín-Junquera 3. Transculturation, Memory, and History: Mary Helen Ponce's Hoyt Street-An Autobiography Mario T. García. Part II: From the Regional to the Global 4. My Super Sweet Fifteen: The Internationalisation of Quinceañeras in Literature and Film Niamh Thornton 5. American Studies in Russia: Learning Chicana/o Literature in Chita (Siberia) Tatiana Voronchenko 6. Moving Subjects: The Politics of Death in Narratives of the Juárez Murders Nuala Finnegan 7. Origins and Evolution of Homies as Hip Rasquache Cultural Artifacts: Taking the Homies Out of the Barrio or the Barrio Out of the Homies Francisco A. Lomelí. Part III: Visual Culture: Producing Resistance 8. The Construction of Justice in Chicana/o Art: From Recognition to Distribution and Counterhegemony Cristina Elgue-Martini 9. Barbed Wire Iconography and Aesthetic Activism: The Borderlands, Mexican Immigration and Chicana/o Art María Herrera-Sobek 10. Virgen Transatlantic: Religious Iconography in Irish and Chicana/o Art Catherine Leen. Conclusion. Guide to Further Reading.
Introduction. Part I: Critical Paradigms: Continuities and Transitions 1. From Chapbooks to Chica Lit: U.S. Latina Writers and the New Literary Identity Ellen McCracken 2. Healing Family History/ (Her) Story: Writing and Gardening in Pat Mora's House of Houses Imelda Martín-Junquera 3. Transculturation, Memory, and History: Mary Helen Ponce's Hoyt Street-An Autobiography Mario T. García. Part II: From the Regional to the Global 4. My Super Sweet Fifteen: The Internationalisation of Quinceañeras in Literature and Film Niamh Thornton 5. American Studies in Russia: Learning Chicana/o Literature in Chita (Siberia) Tatiana Voronchenko 6. Moving Subjects: The Politics of Death in Narratives of the Juárez Murders Nuala Finnegan 7. Origins and Evolution of Homies as Hip Rasquache Cultural Artifacts: Taking the Homies Out of the Barrio or the Barrio Out of the Homies Francisco A. Lomelí. Part III: Visual Culture: Producing Resistance 8. The Construction of Justice in Chicana/o Art: From Recognition to Distribution and Counterhegemony Cristina Elgue-Martini 9. Barbed Wire Iconography and Aesthetic Activism: The Borderlands, Mexican Immigration and Chicana/o Art María Herrera-Sobek 10. Virgen Transatlantic: Religious Iconography in Irish and Chicana/o Art Catherine Leen. Conclusion. Guide to Further Reading.
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