A ground-breaking investigation of how new technological developments have influenced the creative possibilities of composers of computer music in the last 50 years.
A ground-breaking investigation of how new technological developments have influenced the creative possibilities of composers of computer music in the last 50 years.
Michael Clarke is Professor of Music at the University of Huddersfield, UK where he is currently Director of the IRiMaS project (Interactive Research in Music as Sound), funded by a European Research Council (ERC) Advanced Grant. Frédéric Dufeu is Senior Research Fellow in Music and Music Technology at the University of Huddersfield and currently working on the IRiMaS project . Peter Manning is Emeritus Professor of Music at Durham University.
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Acknowledgements Note on companion website Introduction Chapter 1. John Chowning - Stria Chapter 2. Barry Truax - Riverrun Chapter 3. Philippe Manoury - Pluton Chapter 4. Hildegard Westerkamp - Beneath the Forest Floor Chapter 5. Francis Dhomont - Phonurgie Chapter 6. Trevor Wishart - Imago Chapter 7. Jonathan Harvey - Fourth String Quartet Chapter 8. Cort Lippe - Music for Tuba and Computer Chapter 9. Natasha Barrett - Hidden Values - The Lock Endnotes Bibliography Index
