One of the best-known and most celebrated new music ensembles, Bang on a Can has presented sold-out marathon concerts of experimental music and captured a new public for music. And where other institutions faltered amidst the vagaries of late capitalism, the renegade Bang on a Can survived--and thrived--in a tumultuous but idealistic moment that made new music what it is today. This book tells its story in full.
One of the best-known and most celebrated new music ensembles, Bang on a Can has presented sold-out marathon concerts of experimental music and captured a new public for music. And where other institutions faltered amidst the vagaries of late capitalism, the renegade Bang on a Can survived--and thrived--in a tumultuous but idealistic moment that made new music what it is today. This book tells its story in full.
William Robin is an assistant professor of musicology at the University of Maryland's School of Music. He has published work on contemporary music, orchestral culture, and early American hymns in the Journal of the American Musicological Society, Musical Quarterly, and the Journal of Musicology, and he contributes regularly to The New York Times.
Inhaltsangabe
List of illustrations Introduction 1. Academics 2. Horizons 3. Festivals 4. Funding 5. All-Stars 6. Lincoln Center 7. Record labels Epilogue Chronology Acknowledgements Notes Index
List of illustrations Introduction 1. Academics 2. Horizons 3. Festivals 4. Funding 5. All-Stars 6. Lincoln Center 7. Record labels Epilogue Chronology Acknowledgements Notes Index
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