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Giuseppe Tartini (1692-1770) made history both as an outstanding composer and as an exceptional music theorist. Especially after he began to devote himself to speculative reflections of music, Tartini seems to have been searching for harmony between music theory (which he studied in depth, even reaching back to ancient concepts of music) and musical practice (his daily routine as composer and violinist at St Anthony's Basilica in Padua and as violin teacher). The present 2nd volume of the series focuses on both Tartini's musical language and his theoretical deliberations.

Produktbeschreibung
Giuseppe Tartini (1692-1770) made history both as an outstanding composer and
as an exceptional music theorist. Especially after he began to devote himself to
speculative reflections of music, Tartini seems to have been searching for harmony
between music theory (which he studied in depth, even reaching back to ancient
concepts of music) and musical practice (his daily routine as composer and violinist
at St Anthony's Basilica in Padua and as violin teacher). The present 2nd volume of the
series focuses on both Tartini's musical language and his theoretical deliberations.
Autorenporträt
Nejc Sukljan studied musicology and history at the Faculty of Arts, University of Ljubljana where he now works as an assistant professor at the Department of Musicology. His main areas of interest include history of early music and history of music theory.