This volume is a study of the connected ideas of "queer" and "gender performance" or "performativity" over the past several decades, providing an ambitious history and crucial examination of these concepts while questioning their very bases.
This volume is a study of the connected ideas of "queer" and "gender performance" or "performativity" over the past several decades, providing an ambitious history and crucial examination of these concepts while questioning their very bases.
A feminist curator, theorist, and historian of art and performance, Amelia Jones is the Robert A. Day Professor and Vice Dean of Academics and Research at the Roski School of Art and Design at University of Southern California.
Inhaltsangabe
Prologue 1. Introduction: performing (queer) art and theory, relationally 2. Performativity 3. Relationality 4. Theatricality 5. Queer 6. Other 7. Trans
