Taking issue with many orthodox views of "Film Noir," Frank Krutnik argues for a reorientation of the compulsively engaging area of Hollywood cultural production. By analysing individual films within a generic framework and using recent historical and theoretical research Krutnik looks at both the diversity of "film noir" and at its cultural significance. Through an examination of such films as "The Maltese Falcon, Double Indemnity, Gilda" and "The Lady From Shanghai" he looks at the tough' thriller in terms of
Taking issue with many orthodox views of "Film Noir," Frank Krutnik argues for a reorientation of the compulsively engaging area of Hollywood cultural production. By analysing individual films within a generic framework and using recent historical and theoretical research Krutnik looks at both the diversity of "film noir" and at its cultural significance. Through an examination of such films as "The Maltese Falcon, Double Indemnity, Gilda" and "The Lady From Shanghai" he looks at the tough' thriller in terms of
Part 1 Classical Hollywood, genre, film noir Chapter 1 Classical Hollywood: film and genre Chapter 2 Genre and the problem of film noir Part 2 Film noir: sources and determinants Chapter 3 'Hard-boiled' crime fiction and film noir Chapter 4 Film noir and the popularisation of psychoanalysis Chapter 5 Film noir and America in the 1940s Part 3 The representation of masculinity in the noir 'tough' thriller Chapter 6 Masculinity and its discontents Chapter 7 The 'tough' investigative thriller Chapter 8 The 'tough' suspense thriller Chapter 9 The criminal-adventure thriller Chapter 10 A problem in 'algebra': Dead Reckoning and the regimentation of the masculine
Part 1 Classical Hollywood, genre, film noir Chapter 1 Classical Hollywood: film and genre Chapter 2 Genre and the problem of film noir Part 2 Film noir: sources and determinants Chapter 3 'Hard-boiled' crime fiction and film noir Chapter 4 Film noir and the popularisation of psychoanalysis Chapter 5 Film noir and America in the 1940s Part 3 The representation of masculinity in the noir 'tough' thriller Chapter 6 Masculinity and its discontents Chapter 7 The 'tough' investigative thriller Chapter 8 The 'tough' suspense thriller Chapter 9 The criminal-adventure thriller Chapter 10 A problem in 'algebra': Dead Reckoning and the regimentation of the masculine
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