Christopher P. Hanscom questions common understandings of political art by examining four figures central to recent Korean fiction, film, and public discourse: the migrant laborer, the witness to or survivor of state violence, the refugee, and the socially excluded urban precariat.
Christopher P. Hanscom questions common understandings of political art by examining four figures central to recent Korean fiction, film, and public discourse: the migrant laborer, the witness to or survivor of state violence, the refugee, and the socially excluded urban precariat.
Acknowledgments Introduction: Impossible Speech and the Politics of Literature 1. The Return of the Real in South Korean Fiction 2. Displacing the Common Sense of Trauma: Han Kang's A Boy Is Coming 3. Fabricating the Real: Accounting for North Korea in Escapee Narratives and in Fiction 4. Disturbing Sensibility: Transgressing Generic Norms in Castaway on the Moon and I'm a Cyborg, but That's OK Conclusion Notes Bibliography Index
Acknowledgments Introduction: Impossible Speech and the Politics of Literature 1. The Return of the Real in South Korean Fiction 2. Displacing the Common Sense of Trauma: Han Kang's A Boy Is Coming 3. Fabricating the Real: Accounting for North Korea in Escapee Narratives and in Fiction 4. Disturbing Sensibility: Transgressing Generic Norms in Castaway on the Moon and I'm a Cyborg, but That's OK Conclusion Notes Bibliography Index
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