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In tenth-century Europe and particularly in Germany, imperial women were able to wield power in ways that were scarcely imaginable in earlier centuries. Theophanu and Adelheid were two of the most influential figures in the Ottonian reich along with their husbands, who relied heavily on their support. Phyllis G. Jestice examines an array of factors that produced their power and prestige, including societal attitudes toward women, their wealth, their unction as queens, and their carefully constructed image of piety. Due to their influential positions, Theophanu and Adelheid reclaimed control of…mehr

Produktbeschreibung
In tenth-century Europe and particularly in Germany, imperial women were able to wield power in ways that were scarcely imaginable in earlier centuries. Theophanu and Adelheid were two of the most influential figures in the Ottonian reich along with their husbands, who relied heavily on their support. Phyllis G. Jestice examines an array of factors that produced their power and prestige, including societal attitudes toward women, their wealth, their unction as queens, and their carefully constructed image of piety. Due to their influential positions, Theophanu and Adelheid reclaimed control of the young Otto III despite fierce opposition from Henry the Quarrelsome during the throne struggle of 984. In examining how they successfully secured the regency, this book confronts the outmoded notion of exceptionalism and illuminates the lives of powerful Ottonian women.
Autorenporträt
Phyllis G. Jestice is Professor of Medieval History and chair of the Department of History at the College of Charleston, South Carolina, USA. She is the author of Wayward Monks and the Religious Revolution of the Eleventh Century (1997). Since then, her scholarly interests have come to focus on the tenth century, aided by Theophanu, a splendid calico cat.
Rezensionen
"The book's clever structure plays a large part ... . Jestice succeeds in producing not just a penetrating, persuasive, and in certain respects innovative interpretation of the Ottonian crisis of 984, but also an impressive survey of female rule." (Knut Görich, German Historical Institute London Bulletin, Vol. 43 (2), November, 2021)

"The volume is gorgeously produced, and sumptuously illustrated with many well-rendered colour images of Ottonian artwork. The work as a physical book is a delight to behold. ... In a market with several other new and exciting offerings, scholars of the Ottonian world will have little reason to prioritise Imperial Ladies of the Ottonian Dynasty." (Fraser McNair, Royal Studies Journal, Vol. 6 (1), 2019)