Lauren Curtis is Assistant Professor of Classical Studies at Bard College, New York. Her research focuses on Augustan poetry, especially its engagement with music and performance, book culture, antiquarianism, and cultural memory. Recent and forthcoming publications include articles on the aetiological poetics of Ovid's Tristia, the representation of Arion and his lyre in Hellenistic and Augustan poetry, and epiphany in Latin love elegy.
Inhaltsangabe
Introduction: the chorus in the Augustan imagination 1. Imagined choruses from Alexandria to Rome 2. Dance and desire in Propertius' Elegies 3. Horace and the erotics of the lyric chorus 4. Canon, community, and chorus 5. Virgil's Aeneid and the relocation of ritual 6. Foundational choreography in the Aeneid Epilogue.
Introduction: the chorus in the Augustan imagination 1. Imagined choruses from Alexandria to Rome 2. Dance and desire in Propertius' Elegies 3. Horace and the erotics of the lyric chorus 4. Canon, community, and chorus 5. Virgil's Aeneid and the relocation of ritual 6. Foundational choreography in the Aeneid Epilogue.
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