Ezrahi proposes that publics that lost their faith in extra-human sources of authority during the Enlightenment are now equally skeptical about the role of rational deliberation in politics. In our era of mass electronic communications, political realities are produced by believable fictions that echo popular desires.
Ezrahi proposes that publics that lost their faith in extra-human sources of authority during the Enlightenment are now equally skeptical about the role of rational deliberation in politics. In our era of mass electronic communications, political realities are produced by believable fictions that echo popular desires.
Yaron Ezrahi studied political science and philosophy at the Hebrew University of Jerusalem and holds a PhD from Harvard University. He has served as an advisor on science policy to the White House, the US National Academy of Science, the OECD (1969-70), the Israeli Academy of Science and Humanities (1973-83) and the Carnegie Commission on Science (1992). He is the recipient of a National Jewish Book award and of the Israeli Political Science Association's Prize for Life Work (2009). He has been a member of the Hebrew University faculty since 1972. Other appointments include a fellowship at the Center of Advanced Studies in the Behavioral Sciences at Stanford University and visiting professorships at the University of Pennsylvania, Duke University, Harvard University, Princeton University, ETH Zurich and Brown University. His works include The Descent of Icarus: Science and the Transformation of Contemporary Democracy; Technology, Pessimism, and Postmodernism (edited with Everett Mendelsohn and Howard Segal); Rubber Bullets: Power and Conscience in Modern Israel; and Israel Towards a Constitutional Democracy (with M. Kremnitzer). He is a co-founder and board member of The Seventh Eye, Israel's leading journal of press criticism in Hebrew. His work has also appeared in Minerva, Science Studies, Social Research, Inquiry, Foreign Affairs, Transactions of the New York Academy of Sciences and The New York Times Magazine.
Inhaltsangabe
Part I. Necessary Fictions of the Political and the Reality of Political Fictions: 1. The contest over the rightful domain of the imagination; 2. The revival and contemporary legacy of Giambatista Vico (1668-1744) as a modern theorist of the political imagination; 3. Modes of imagining: elements of a theory of the political imagination; 4. Naturalization and historicization as strategies of the political imagination; Part II. Modern Common Sense and the Rise of Modern Political Imaginaries: 5. The historicity of common sense and the role of scientism in the modern political imagination; 6. Empiricism, induction, and visibility: the moral epistemology of democratic political power; 7. The performing arts and the performance of politics: the dialectics between the transparent and self-concealing imagination; Part III. Modern Imaginaries of Democratic Political Agencies and Causality: 8. Voluntary action, the fear of theatricality, and the materialization of the political; 9. Animated fictions: self (as) fulfilling prophecy and the performative imaginaries of democratic political agencies; 10. Individuals between liberal and illiberal corporations; 11. The impact of culture, the cultivation of the individual interior in literature, painting, and music; Part IV. The Postmodern Turn and the Return of Political Theatricality: 12. Mass media and the refictionalization of agency and reality; 13. The ethics and pragmatics of the democratic political imagination: on choosing the imaginaries we want to live by.
Part I. Necessary Fictions of the Political and the Reality of Political Fictions: 1. The contest over the rightful domain of the imagination; 2. The revival and contemporary legacy of Giambatista Vico (1668-1744) as a modern theorist of the political imagination; 3. Modes of imagining: elements of a theory of the political imagination; 4. Naturalization and historicization as strategies of the political imagination; Part II. Modern Common Sense and the Rise of Modern Political Imaginaries: 5. The historicity of common sense and the role of scientism in the modern political imagination; 6. Empiricism, induction, and visibility: the moral epistemology of democratic political power; 7. The performing arts and the performance of politics: the dialectics between the transparent and self-concealing imagination; Part III. Modern Imaginaries of Democratic Political Agencies and Causality: 8. Voluntary action, the fear of theatricality, and the materialization of the political; 9. Animated fictions: self (as) fulfilling prophecy and the performative imaginaries of democratic political agencies; 10. Individuals between liberal and illiberal corporations; 11. The impact of culture, the cultivation of the individual interior in literature, painting, and music; Part IV. The Postmodern Turn and the Return of Political Theatricality: 12. Mass media and the refictionalization of agency and reality; 13. The ethics and pragmatics of the democratic political imagination: on choosing the imaginaries we want to live by.
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