Images, Ethics, Technology explores the changing ethical implications of images and the ways they are communicated and understood. This is a collection that not only asks: who speaks for the art? But also: who speaks for the witnesses, the cameras, the documented, the landscape, the institutional platforms, the taboos, those wishing to be forgotten, those being seen and the experience of viewing itself? Each essay explores how images change not only through their modes of representation, but through our relationship to them and emphasises that in order to understand images, we must understand…mehr
Images, Ethics, Technology explores the changing ethical implications of images and the ways they are communicated and understood. This is a collection that not only asks: who speaks for the art? But also: who speaks for the witnesses, the cameras, the documented, the landscape, the institutional platforms, the taboos, those wishing to be forgotten, those being seen and the experience of viewing itself? Each essay explores how images change not only through their modes of representation, but through our relationship to them and emphasises that in order to understand images, we must understand our relationship to them and how they are produced, communicated, and displayed.
Sharrona Pearl is Assistant Professor at the Annenberg School for Communication, University of Pennsylvania. Her first book, About Faces: Physiognomy in Nineteenth-Century Britain, was published by Harvard University Press in 2010. She is currently working on a book entitled Face/On: Face Transplants and the Ethics of the Other.
Inhaltsangabe
Introduction 1. Relating Images Sharrona Pearl Section I: Authorizing Images 2. Introduction: Interrogating the Authority of the Image Nora Draper 3. Technologies of Bystanding: Learning to See Like a Bystander Carrie A. Rentschler 4. Professionalizing Police Media Work: Surveillance Video and the Forensic Sensibility Kelly Gates 5. Collision in a Courtroom Constance Penley 6. "Who speaks for the art?" Larry Gross Section II: Memorializing Images 7. Introduction: Residual/Visual: Images and their Specters Kevin Gotkin 8. Facebook Photography and the Demise of Kodak and Polaroid Marita Sturken 9. Forgiving without Forgetting: Contending with Digital Memory Ira Wagman 10. Ambiguity, Cinema and the Digital Documentary Image Roderick Coover Section III: Embodying Images 11. Introduction: Subjectification as Embodiment; Subjectification is Embodiment Alexandra Sastre and Nicholas Gilewicz 12. The Autonomy of the Eye: Neuro-politics and Population in Design and Cybernetics Orit Halpern 13. Sensory Topographies of Wind and Power in Kansas Lisa Cartwright and Steven Rubin 14. The Face as a Medium Amit Pinchevski
Introduction 1. Relating Images Sharrona Pearl Section I: Authorizing Images 2. Introduction: Interrogating the Authority of the Image Nora Draper 3. Technologies of Bystanding: Learning to See Like a Bystander Carrie A. Rentschler 4. Professionalizing Police Media Work: Surveillance Video and the Forensic Sensibility Kelly Gates 5. Collision in a Courtroom Constance Penley 6. "Who speaks for the art?" Larry Gross Section II: Memorializing Images 7. Introduction: Residual/Visual: Images and their Specters Kevin Gotkin 8. Facebook Photography and the Demise of Kodak and Polaroid Marita Sturken 9. Forgiving without Forgetting: Contending with Digital Memory Ira Wagman 10. Ambiguity, Cinema and the Digital Documentary Image Roderick Coover Section III: Embodying Images 11. Introduction: Subjectification as Embodiment; Subjectification is Embodiment Alexandra Sastre and Nicholas Gilewicz 12. The Autonomy of the Eye: Neuro-politics and Population in Design and Cybernetics Orit Halpern 13. Sensory Topographies of Wind and Power in Kansas Lisa Cartwright and Steven Rubin 14. The Face as a Medium Amit Pinchevski
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