An examination of the role of images in cultural conflicts and of alternatives to Western ways of thinking about image creation and image destruction.
This book, which accompanies a major exhibition at the Center for New Art and Media (ZKM) in Karlsruhe, Germany, invokes three disparate realms in which images have assumed the role of cultural weapons. Monotheistic religions, scientific theories, and contemporary arts have struggled with the contradictory urge to produce and also destroy images and emblems. Moving beyond the image wars, ICONOCLASH shows that image destruction has always coexisted with a cascade of image production, visible in traditional Christian images as well as in scientific laboratories and the various experiments of contemporary art, music, cinema, and architecture.
While iconoclasts have struggled against icon worshippers, another history of iconophily has always been at work. Investigating this alternative to the Western obsession with image worship and destruction allows useful comparisons with other cultures, in which images play a very different role. ICONOCLASH offers a variety of experiments on how to suspend the iconoclastic gesture and to renew the movement of images against any freeze-framing.
The book includes major works by Art Language, Willi Baumeister, Christian Boltanski, Daniel Buren, Lucas Cranach, Max Dean, Marcel Duchamp, Albrecht Duuml;rer, Lucio Fontana, Francisco Goya, Hans Haacke, Richard Hamilton, Young Hay, Arata Isozaki, Asger Jorn, Martin Kippenberger, Imi Knoebel, Komar Melamid, Joseph Kosuth, Gordon Matta-Clark, Tracey Moffat, Nam June Paik, Sigmar Polke, Stephen Prina, Man Ray, Sophie Ristelhueber, Hiroshi Sugimoto, and many others.
Review text:
'The value of the book is that is pushes on boundaries.'
-- Victoria George, The Art Book
'...Iconoclash...[reflects]on the power of images...and on their intimate role in religious practice.'
-- Paul A. Soukup, S. J., Theological Studies
'A big book to browse in, with unexpected images and arguments at the turn of every page.'
-- Svetlana Alpers, The Key Reporter
This book, which accompanies a major exhibition at the Center for New Art and Media (ZKM) in Karlsruhe, Germany, invokes three disparate realms in which images have assumed the role of cultural weapons. Monotheistic religions, scientific theories, and contemporary arts have struggled with the contradictory urge to produce and also destroy images and emblems. Moving beyond the image wars, ICONOCLASH shows that image destruction has always coexisted with a cascade of image production, visible in traditional Christian images as well as in scientific laboratories and the various experiments of contemporary art, music, cinema, and architecture.
While iconoclasts have struggled against icon worshippers, another history of iconophily has always been at work. Investigating this alternative to the Western obsession with image worship and destruction allows useful comparisons with other cultures, in which images play a very different role. ICONOCLASH offers a variety of experiments on how to suspend the iconoclastic gesture and to renew the movement of images against any freeze-framing.
The book includes major works by Art Language, Willi Baumeister, Christian Boltanski, Daniel Buren, Lucas Cranach, Max Dean, Marcel Duchamp, Albrecht Duuml;rer, Lucio Fontana, Francisco Goya, Hans Haacke, Richard Hamilton, Young Hay, Arata Isozaki, Asger Jorn, Martin Kippenberger, Imi Knoebel, Komar Melamid, Joseph Kosuth, Gordon Matta-Clark, Tracey Moffat, Nam June Paik, Sigmar Polke, Stephen Prina, Man Ray, Sophie Ristelhueber, Hiroshi Sugimoto, and many others.
Review text:
'The value of the book is that is pushes on boundaries.'
-- Victoria George, The Art Book
'...Iconoclash...[reflects]on the power of images...and on their intimate role in religious practice.'
-- Paul A. Soukup, S. J., Theological Studies
'A big book to browse in, with unexpected images and arguments at the turn of every page.'
-- Svetlana Alpers, The Key Reporter